mariacallas
Bluelight Crew
^^^^they willl be soon^ Damned cool! America isn't ready for the Japanese.


Here's some good stuff from one of my fave photographers/artists:
~~ Michael Baumgarten ~~






^^^^they willl be soon^ Damned cool! America isn't ready for the Japanese.
DigitalDuality said:HR Giger has done entire bars in several nations, the one in Tokyo and the one in NY is shut down i believe, but i would like to visit one one day.. though i'd need another reason to go to said nation, other than this of course. From the chairs, windows, bars, floor and ceiling panels.. all hand done.
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atlas said:People think he's a god because they take too much acid. The take too much acid when the listen to tool, they take too much acid when they see his name in the same sentence as Shulgin or Nichols.
Drugs have their place, but they really inhibit art appreciation.
or, perhaps, his art simply moves them in a way you (2nd plural) can't, don't or won't understand?atlas said:People think he's a god because they take too much acid.
alasdairm said:or, perhaps, his art simply moves them in a way you (2nd plural) can't, don't or won't understand?
alasdair
I wonder if he realizes that ANYBODY who gets a BFA from an art school could reproduce anatomy the way gray does.
atlas said:People think he's a god because they take too much acid. The take too much acid when the listen to tool, they take too much acid when they see his name in the same sentence as Shulgin or Nichols.
Drugs have their place, but they really inhibit art appreciation.
It is the function of the artist to evoke the experience of surprised recognition: to show the viewer what he knows but does not know that he knows. Helnwein is a master of surprised recognition. - William Burroughs
Six sleeping bags float magically in a makeshift mid-air campsite. Ponytails and dreadlocks dangle from the bags: there are hippies in those floating cocoons! The floating hippies are attached like so many balloons by a winding black tube from what seem to be tanks full of helium (or perhaps nitrous oxide.) Levitating above the ground, these snoozing figures embody the timeless desire to escape Earth’s gravity.
In Quantum Physics (2003) [image left, top], commissioned by MASS MoCA for Fantastic, Mexican artist Miguel Calderón rereads a chapter of utopian history. Hovering in front of a large freezer full of Ben & Jerry’s Cherry Garcia ice cream – as if ratty-haired children in Willy Wonka’s playhouse – the drowsing hippies might be dreaming of an endless supply of a very special ice cream – an ice cream dedicated to their recently deceased hippy hero Jerry Garcia. Yet a twisted commercial irony casts a spell over this haze of happiness, as blissful hippie revery is reduced to an ice cream flavor. As the irony takes hold, the hovering mystery of the sleeping bags once again captivates our imagination. Quantum Physics conveys a sense of levity and boyish humor even as it sticks its finger in the ribs of a consumer culture powerful enough to subsume communal ideals.
In the adjacent gallery, Calderón’s video Inverted Star (1999) [image left, bottom] moves from the cloud-filled skies of utopia to the fire and brimstone of hell itself. In 1999, Calderón placed a classified ad in a Mexico City newspaper seeking people who believed they were possessed by the devil. “Are you possessed?” the ad read. It did not take long for Calderón to find the “stars” of his project. He went to their homes and documented the strange behavior of the self-professed possessed. The title Inverted Star refers to the upside-down pentagram often associated with Satanism, but as in all of Calderón’s work, there is a more complex narrative beneath the prankish humor. In Calderón’s irreverent oeuvre, fact is always stranger than fiction. It is not the possession that is so striking about Inverted Star, but possibly the lengths to which people will go to become “stars” or to make a dollar. Beneath the sensationalism of the video is clear-eyed commentary on society’s rampant commercialism and sensationalist media.