CatfishRivers
Bluelight Crew
- Joined
- Jan 26, 2004
- Messages
- 2,180
Dex, Glad you liked "Hotel NJ", I posted it cause I thought you would appreciate it actually based on your other songs. I have several cds filled with similar music. The "band" I was in at the time was called "Reverse Monster" and we did tons of stuff, recording every night in our living room, high as a flock of kites on dxm. I will post more after I get it all online again. I'm working on a new website for myself, to house all my creative endevours in one place.
I listened to a couple of your songs as well:
"Monkey off your back (NEVER)":
I like your use of a the drum machine beat. It fits just right for the mood of the song I think, mellow yet compulsive (as it repeats over and over). I have a hard time hearing your voice in this mix, but I am listening at work so it might be the speakers, but it isn't neccessarily a bad thing. I like how the voicee is hardly heard, as it sort of goes with the idea of the title, i.e. getting drown out, having one's head held under the water by the monkey on your back. I would maybe work on the mix to make a few catch phrases become audible here and there, just give some context to the lyrics. It's odd, I just played with a band in NYC last week, made up of a drum machine, a chick on keys and a dude on guitar. They had the electro meets greasy blues guitar hero mixture that I sometimes feel in your songs. I would maybe suggest for the outro some weird guitar sounds, maybe rubbing the guitar against a metal pole or something to make odd dissonance in the background, cause the monkey is never off your back...even as the song is resolving.
"Cry Baby": I love the raucous way this song starts. This song reminds me a bit of early Pavement recordings, which is a cool thing. Again, the vocals were buried, but again it could be my work speakers sucking. If you intended it that way, then you might want to boost them just a bit so the listener can at least take a few catch phrases out of it. I have less to say about this song as it is pretty short. I really do like the guirtar in it though.
I listened to a couple of your songs as well:
"Monkey off your back (NEVER)":
I like your use of a the drum machine beat. It fits just right for the mood of the song I think, mellow yet compulsive (as it repeats over and over). I have a hard time hearing your voice in this mix, but I am listening at work so it might be the speakers, but it isn't neccessarily a bad thing. I like how the voicee is hardly heard, as it sort of goes with the idea of the title, i.e. getting drown out, having one's head held under the water by the monkey on your back. I would maybe work on the mix to make a few catch phrases become audible here and there, just give some context to the lyrics. It's odd, I just played with a band in NYC last week, made up of a drum machine, a chick on keys and a dude on guitar. They had the electro meets greasy blues guitar hero mixture that I sometimes feel in your songs. I would maybe suggest for the outro some weird guitar sounds, maybe rubbing the guitar against a metal pole or something to make odd dissonance in the background, cause the monkey is never off your back...even as the song is resolving.
"Cry Baby": I love the raucous way this song starts. This song reminds me a bit of early Pavement recordings, which is a cool thing. Again, the vocals were buried, but again it could be my work speakers sucking. If you intended it that way, then you might want to boost them just a bit so the listener can at least take a few catch phrases out of it. I have less to say about this song as it is pretty short. I really do like the guirtar in it though.