Birc0014
Bluelighter
fuckin werewolf
fuckin werewolf
It seems like Tyler Lebon appeared from nowhere and took the photography stage by storm. It is undeniable that he is one of the rising stars in fashion photography. He is not only focusing on commercials and editorials, but also directs music videos and documentaries. But his success did not just come from nowhere as he is a hard worker.
From 2001 to 2005 he studied for a masters degree in Anthropology at Edinburgh University. Ever since he concentrated on his photography, as we was more and more in demand for magazines and brands. He photographed for magazines such as i-D, Pop Magazine or Baron.
His list of clients include for example Louis Vuitton, Stussy, Loewe, Supreme and Nike to name a few. He says that he does not see commissioned work as a limiting, but rather enjoys working with these boundaries.
His photographic style is characterized by a certain rawness, which sometimes seems unflattering, but always carries a strong dynamic. He also brings his street style influences to high fashion, whether its editorials or commercials, and perfectly blends them.
As mentioned above he is not only photographing, but also directing. He worked for Mount Kimbie on their seminal debut album Crooks & Lovers. He made next to the complete artwork of the album also all three music videos from the release.
As he has been brought up in London, the city and its people is one of his major influences. He really captures the essence of London in terms of photographic style, but also of the people.
Tyrone is also the creative director of DoBeDo, a London based collective of photographers and filmmakers, who organize exhibitions and screening around the city.
violet is a fav to win it all after a strong start.dude violet is so going to win this is it's not even a joke anymore.
Ondira for prada
The Infinite Palace
For the Prada FW 2015 Women’s fashion show, AMO disguises the existing room into a classic enfilade of rooms, gradually changing proportions as in an abstract mannerist perspective. As opposed to a single stage, the new sequence of spaces multiplies and fragments the show into a series of intimate moments.
The progression through the connected rooms simulates endless repetitions and symmetries, while providing the illusion of an infinite palace. As the models move linearly across the enfilade the audience, divided into small groups, are pushed to close and intimate proximity with the collection. A large space in the end of the enfilade unifies the two parallel rows of doors.
The tridimensional excavation of the space is alternatively painted in subtle tones of green and pink. In this disorientating landscape aluminum geometric inserts in the ground mark the sequence of spaces.
AMO
hydrozuanacaine making me feel good about my teeth. do you only like models with venus gaps? i used to hate mine but now i wouldn't trade it for anything.