it's because you're not from/in a place that has a bazillion different kind of rap music to choose from. snap, bounce, crunk, chopped and screwed, trap, strip club rap, and that's just from the south. what about baltimore club rap? glitch? hyphy? molly rap? trap is about the struggle, the jihad. these guys aren't rapping about how good they've got it, they are rapping about how dangerous it is, how shitty bankhead life is, the struggle to get out and the fucked up things you gotta do to get out of the trap. the trap is a real place, or at least it was. you know, like Snow on the Bluff? The Bluff is probably the biggest trap I've ever seen. Or Bankhead, Adamsville, Thomasville, all those places. Clayton county, Ninth Ward/East New Orleans, Louisiana, 4th Ward Houston, North Houston etc. and of course, a lot of things overlap. UGK? trap music for sure. but also houston rap, chopped and screwed, etc. you feel me? i'm starting to sound like lacey. this is something that i could let take over my life if i let it - rap music.
ebola: it's a race thing. no kidding. "electronic" music is for white hipsters, who black rappers love to parrot and tease. "white girl wasted"? it's a real thing. travis porter talking about "those rockers"? it's a way for the black community to feel like that they have some sort of control of the co-opting of it. the 808 drums and snaps and shit i'm sure all the fucking same, but its not about the tech aspect of it. but then another thing is sometimes you just gotta hear it. you know trap when you hear it, for sure.