dunwich
Bluelighter
^haha took seeing it more than a few times for me to catch all the lines! Especially Begbie (the crazy mofo with the mustache).
there were two HBO specials, they are avail on bit torrents, where reporters folloed around poor heroin using couples (in the first documentary) and crack using couples in the second. filming even sucking dick for dope, they tried to get everything as accurate as possible, and had the addicts do a lot of the talking to the viewer (while they were preparing their syringechokingvictim said:I found it very funny, but I haven't seen a movie where the goal was to portray heroin users (and their attempt to kick the habit) as accurately as possible. Usually movies are more for entertainment and to make money.
And I found Trainspotting very entertaining. I still haven't read the book, but I've been telling myself for almost a year now that I'm going to get it. One of these days...
Incidentally, this weekend when I first really realized I was really rolling for the first time...they were playing "Born Slippy (Nuxx)". Having first heard that song in the movie, it symbolizes such optimism to me...what a mindblowing experience.
I should preface this briefly by saying I've never gone through heroin withdrawal or read the novel.
I really liked the movie. The acting was all-around good, the dialogue (when I could understand what they were saying) was excellent, the narrative unfolded well and the direction/scene composition/location shots were superb. I don't think it matters if it is a realistic depiction of withdrawal, it is certainly an accurate portrayal of depravity. The graphic emphasis on bodily fluids (shit, piss, blood) was very effective in establishing the kind of primitive sort of subsistence lifestyle yielded by addiction.
The direction was outstanding, employing a variety of different styles and techniques. I can't think of a single scene where light, camera placement, location, etc were not done well. The filmmakers used the architecture around Edinburgh and Glasgow expertly for the exterior shots. I particularly liked the way the train wallpaper in Renton's room was designed to look like bricks, giving the impression that he was confined in a cell.
The tone of the film struck an excellent balance between being a humorously sardonic, tongue in cheek appraisal of a bunch of deadbeats while still conveying the essential emptiness of their lives. Consider for instance the way Renton is dragged all the way to the hospital like a sack of beans; he is essentially divorced from his humanity and becomes a vessel from which money is extracted first by the dope dealer and then by the cab driver. There are numerous similar examples.
It has a great soundtrack.
Excellent film.
As for making Porno come to the big screen, I've also heard there is some friction between Boyle and Ewan. I'm hoping it's not true, because they've all stated how much they enjoyed doing the original, and it would be fascinating to see if they can pull off the sequel. Fingers crossed.
Ewan McGregor has stated in interviews that he would not like to make a sequel, due to his preference for being remembered for the critically acclaimed first film, and not an inferior sequel.