Well, I´ve been playin geetar for 13 years, I have a studio which I´´m using and building simoutaneously, it´s a space 7 meters deep 3 meters from wall to wall, thing is in a big flashy weird building, it´s at my mother´s house in Buenos Aires, I´m currently staying at my girls, anyway I have the part that has an arch made of glass instead of a ceiling, so there´s loads of reverb and light, but it´s cool. I been in so many bands I can´t remember, but always me and iony my homeboy and a-la brian may/rivers cuomo/graham coxon like killer riffs, we always played together, nowadays I barely see him maybe once a year but we rock out, anyway.
I use a Dell and an Acer laptop, an external M-Audio card with 6 1/4¨ inputs, 2 midi ports and 2 digital outputs.
My fav guitar I own and play, which you can see in my gallery is my 1965 Fender Mustang, everything original, pre-cbs era fender, and it´s sanded down which gives it more of a natural feel of the perfectly made american guitars of that time,though I dunno how many owners it had (it has the name james harrel written on the back of the headstock) and the top is full of glitter and glue, which i really dig...when I bought it in Matt Umanov´s Guitars in NYC it had rhinestones on the inlay dots making it impossible to bend the strings, they wanted to charge me $400 extra for a Luthier to calibrate it and shit, lol in Buenos Aires my luthier did it for $30.
I also bought in NYC, but on 47th a guitar I love and use a lot, it´s an american white Fender Stratocaster 57´reissue, and I spent even more cause I changed the mics to the 3 different lace sensors in the same configurations Billy Corgan used in the Siameses Dream/Mellon Collie era, wanted to have that sound, an the playability is great.
I owe my luthier $750 now for another project guitar I made the mic of the bridge of a 50´s Les Paul with it´s original wiring and screws, I know it´s no bull, and played that les paul in the past and sounded PHAT.
Before he decided to sell 50 LP to some assholes for a whole lot of many he called me and put the atomic humbuckers from a fender toronado I gave him and sold me all the originals, he thought I´d might be interested in the original mics and wiring and asked $1000, I got it down to $900.
Anyway if you´re still here I Have a fucking killer guitar, my main whore for lower affinations like Db for example, it´s a 99´ Candy Apple Red tex-mex Fender Toronado with every change from hardware to wiring done by me, customized and being awesome, I put the bridge mic fom the 50´s les paul with it´s wiring and screws in the bridge, and the neck one on the neck, but didný liked the sound, I tried to put instead a Fender´s 78 Strat single coil neck mic, which was a really hard task but worth it, but then I tried at a store an epiphone with p90´s, and fell in love, and decided to buy a Gibson´s neck position P-94 mic...it was an excellent idea! it fits like a humbucker but it´s a single coil, and when you put the mid position of the selector and fuck around with the knobs you can tell the texture differnces, and the versatility, since it´s lie a lkes paul where you have 4 knobs and can control each mic individually, and playability of that guitar.
Well the Toronado is stickered out, has a fender body but gibson mics all the wiring from the mics has been changed with originals and I fucking love her, also bought her in NYC back in 2000, but it´s totally pimped now.
I have a custom made electro-acoustic guitar, made by my luthier in Buenos Aires which has the neck of a mexican fender stratocaster and the wide body with an f-hole and a mic of an acoustic guitar which fitted perfectly into the neck, sounds lovely.
I also have a Spanish Guitar I aqcuired in buenos Aires, with porcelain strings I love hand picking, it, s made of very good argentine wood and painted red, gotta change the strings though.
I have loads of keyboards and pedals, but it´s way to late so I´ll post it later, also gonna get some pics if i can, Rock On!
![:\](https://bluelight.org/xf/BL_Images/Orig_Emoji/wrygrin.gif "wry grin :\")
