I show some futurism - Filippo Tommaso Marinetti
1. We want it sing l' amor of the danger, l' habit all' energy and to the recklessness.
2. The courage, l' daring, the rebellion, will be essential elements of our poetry.
3. The literature excited until today l' thoughtful immobility, l' ecstasy and the sleep. We want to excite the aggressive motion, l' feverish insomnia, the step of race, the deadly leap, the slap and the fist.
4. We affirm that the splendor of the world has enriched of a new beauty: the beauty of the speed. A racing car with the its chest adorned with big like tubes to snakes dall' explosive breath. ... a roaring automobile, that current on the machine-gun seems, is more attractive of the Victory of Samothrace.
5. We want to praise all' man that holds the steering wheel, whose ideal auction go through the Land, thrown to race, be too, on the circuit of its orbit.
6. It is necessary that the poet itself lavish, with fervor, splendor and munificence, to increase l' enthusiastic fervor of the primordial elements.
7. Not v' is more beauty, if do not in the struggle. No work that have not an aggressive character is able to be a masterpiece. The poetry should be conceived like a violent assault against the unknown forces, for them overcome itself in front all' man.
8. We are on the extreme promontory of the centuries!.. Why we should look at us to the shoulders, if we want to break through the mysterious doors dell' Impossible? The Time and the Space died yesterday. We live already nell' absolute, poichè already created l' eternal omnipresent speed.
9. We want to praise the war — alone hygiene of the world — the militarism, the patriotism, the gesture destroyer of the libertarî, the attractive ideas for that dies and the scorn of the woman.
10. We want to destroy the museums, the libraries, the academies d' every species, and to fight against the moralism, the feminism and against opportunistic every cowardice or utilitarian.
11. We will sing the large crazy upset from the work, from the pleasure or from the uprising: will sing the multicolored tides and polifoniche of the revolutions in the capitals it; will sing the vibrating nocturnal fervor of the arsenals and of the sites burnt from violent electric moons; the greedy stations, divoratrici of serpents that smoke; the workshops hung up to the cloudy pei twisted threads of their smoke; the like bridges to gigantic gymnasts that the rivers climb, flashing to the sun With a sparkle of knives; the adventurous steamboats that smell l' horizon, the locomotives dall' spacious chest, that stamp on the tracks, like enormous horses d' steel bridled of tubes, and the flight some aereoplani sliding, whose propeller chirps to the wind like a flag and seems to applaud like an enthusiastic crowd.
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The Real World
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Life is up for grabs dear friend, and yours is the most valuable at the moment.