monstanoodle
Bluelight Crew
Check out Methodology Recordings, Area Recordings, Mindstep and Broken Bubble (all lables) 
I'm part of Methodology and, as with all the other lables I've listed, they've gont back to that "Old, Deep sound", where the sound started really and developed on that
Lots of atmospherics and interesting, more experimental stuff.
I think Dubstep as a genre delevloped extremely quickly, and then people like Rusko, Flux Pavillion (infact all of Circus Records) came along and then the flowing water of the sound just ceased to move anymore - It became stagnent![:\](https://bluelight.org/xf/BL_Images/Orig_Emoji/wrygrin.gif "wry grin :\")
Every single new producer out there wanted to replicate the sound of those guys (especially new Northan American producers) and shit just started to feel boring.
I think it took producers who had been around since the beginning and who had, well... I suppose detached themselves from the "scene" and took it in their own direction
Things have started to get interesting again, they've slowed down. They're getting back to music that you can feel instead of just hear how loud and dirty someone's basslie is.
Sure, there's always a time and place for every sub-genre - I still love some of Rusko's early stuff and artists like Akira Kiteshi But if everyone's going to do that.... What's the point?
Do your own thing, find your own sound, bring forth your own elements. Don't think you should have to stick to some generic formula
Give Dubstep a taste and add some seasoning!
I'm part of Methodology and, as with all the other lables I've listed, they've gont back to that "Old, Deep sound", where the sound started really and developed on that
Lots of atmospherics and interesting, more experimental stuff.
I think Dubstep as a genre delevloped extremely quickly, and then people like Rusko, Flux Pavillion (infact all of Circus Records) came along and then the flowing water of the sound just ceased to move anymore - It became stagnent
Every single new producer out there wanted to replicate the sound of those guys (especially new Northan American producers) and shit just started to feel boring.
I think it took producers who had been around since the beginning and who had, well... I suppose detached themselves from the "scene" and took it in their own direction
Things have started to get interesting again, they've slowed down. They're getting back to music that you can feel instead of just hear how loud and dirty someone's basslie is.
Sure, there's always a time and place for every sub-genre - I still love some of Rusko's early stuff and artists like Akira Kiteshi
But if everyone's going to do that.... What's the point?Do your own thing, find your own sound, bring forth your own elements. Don't think you should have to stick to some generic formula
Give Dubstep a taste and add some seasoning!
