_______-*yawn*
___Why not bring the drugs
______in front of the camera?
_____& the post-shoot bloods, cramps,
____-visits to quacks & gynos
____-& cashola cut on desks
______in shoebox cheap-rent offices
________strewn with adult store
________novelties, stockpiled microwave
________dinners, actress ephemera &
_______industry awards
________(Prong d’Or, etc.)
___Oh see but that would be tasteless /
___not exactly ‘gripping’ material
_____-(Hello: A wank.)
____Special FX budget = $0, sure,
___-but it’s amazing what you can do
___-with claymation
_____& a mind dirtier than mysterious
______-mid-rock-festival portaloo found
_______by timetravellers researching lives
________of beggars & toms in pre-Fire London.
_____Yeah, whatever.
(c) Stu Hatton 2006-2008
A Collection of Thoughs
___Why not bring the drugs
______in front of the camera?
_____& the post-shoot bloods, cramps,
____-visits to quacks & gynos
____-& cashola cut on desks
______in shoebox cheap-rent offices
________strewn with adult store
________novelties, stockpiled microwave
________dinners, actress ephemera &
_______industry awards
________(Prong d’Or, etc.)
___Oh see but that would be tasteless /
___not exactly ‘gripping’ material
_____-(Hello: A wank.)
____Special FX budget = $0, sure,
___-but it’s amazing what you can do
___-with claymation
_____& a mind dirtier than mysterious
______-mid-rock-festival portaloo found
_______by timetravellers researching lives
________of beggars & toms in pre-Fire London.
_____Yeah, whatever.
(c) Stu Hatton 2006-2008
A Collection of Thoughs
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