Depends on what your musical tastes are.
Lemongrass's tracks have of a downtempo hip-hop feel, with a amazing use of soundscapes/textures, and use of a acoustical sounds/instruments in a modern electronic composition.
The burial & four tet track has a awesome interpretation of deep-house/tech-house with a four tets unmistakable use idm concepts. A little minimalist, but has such a fat groove, and is amazingly structured, creating one hell of a musical topography. Truely a masterpiece.
Big Pauper isn't a artist I've listened to that much, but what I have listened to is pretty sweet. I do know the artist is unbelievable at sampling and his skills are shown in this song. It has a hip-hop/rap/urban aspect used as a source/theme for sampling, but warped up in a IDM, Breaks, downtempo blanket. Really well produced.
The Telephone Jim Jesus track is very a hip-hop influenced downtempo track, essentially instrumental hip-hop. Dope track.
The Hecq track is a pretty experimental track, designed unbelievably. Starts off with very dissonance tone, as two competing styles/ideas start to form, one being an artist rapping, the other being a idm, breakcore part, with downtempo/ambient soundscapes at times. They start to meld into a beautiful composition with the parts forming on top of each other in a magical way, taking from each concept and creating a unified form, but still retaining the idea of construction and destruction. The production is out of this world as well.
The Jazzyspoon track, is a incorporation of IDM, downtempo and breaks, with acoustical concepts, over an atmospheric soundscape/shoegazey background. A lot of light, thin sounds (with out a lot of low harmonics), on a full sounding plane.