Today, white people keep The Blues going strong by taking vacations to Memphis, forming awkward bands, making documentaries, and organizing folk festivals. Blue and Jazz music appeal mostly to older white people and select few young ones who probably wear fedoras. But that doesn’t mean that young white people aren’t working hard to preserve music that has lost relevance. No, there are literally thousands of white people who are giving their all to keep old school Hip Hop alive.
Even as you read this, white people are telling other white people about the golden age of Hip Hop that they experienced in a suburban high school or through a viewing of The Wackness.
If you are good at concealing laughter and contempt, you should ask a white person about “Real Hip Hop.” They will quickly tell you about how they don’t listen to “Commercial Hip Hop” (aka music that black people actually enjoy), and that they much prefer “Classic Hip Hop.”
“I don’t listen to that commercial stuff. I’m more into the Real Hip Hop, you know? KRS One, Del Tha Funkee Homosapien, De La Soul, Wu Tang, you know, The Old School.”
Calling this style of music ‘old school’ is considered an especially apt name since the majority of people who listen to it did so while attending old schools such as Dartmouth, Bard, and Williams College.
What it all comes down to is that white people are convinced that if they were alive when this music was relevant that they would have been into it. They would have been Alan Lomax or Rick Rubin. Now the best they can hope for is to impress an older black person with their knowledge.