that's because commercial recordings and film soundtracks are usually mastered with quite a lot of care, but then when someone rips it to mp3 or whatever, they can screw it up easily, using lower sample rates in encoded film audio has the effect of reducing the overall available headroom for loudness too.
basically every sound engineer has their own way of dealing with this and some are better than others at it, or have different ideas of what is right, so there is a lot of variation in original recordings from different sources.
basically every sound engineer has their own way of dealing with this and some are better than others at it, or have different ideas of what is right, so there is a lot of variation in original recordings from different sources.