F.U.B.A.R.
Bluelight Crew
Oh yeah, purple ohms. As I remember they were a bit shit, though not as crap as the samurais which were around at the same time. I did like the superman acid though..
Reap what you sow.
Simply that.
I dont like people taking shots at me for no reason that to make their own agenda look better at the cost of someone elses.
farmaz said:You cant read into things to much in my view, there are allways hidden connotations in everything.
Agree, he didnt really help things but I found his website as he now does art & makes things I think from glass or clay, I had a small chat with him on email & he seemed a ok guy tbh.
Mr Smokes Blunt was one my favourite posters, shame he's gone.
You're talking about Owsley Stanley here? In the present tense? You do know he's dead don't you?
Yes Owsley & no not in the present tense it has been several years since I emailed him.
he now does art & makes things I think from glass or clay,
What was the way to deal with acid in the 60's, then? 'Acid tests' and 'freak-out parties', rather than the scientific and philosophical inquiry favoured by Leary?
Yes, thats the way I have seen everything.
Look at the tests the CIA did with all types of stuff like LSD, their results were all fucked up because of the setting they ran it in.
Now look at MDMA for example, you could go with the sitting around on the floor covered in rugs, low classical music playing in the background, hugging your girlfreind, puking rainbows of love & all that new age hippy shit or you could go to some squat gabber techno rave in Camden & go totally fucking nuts till 8am & have the time of your life.
For me the 2nd option wins every time, will give you a far better view of the chemical imo.
Yes, thats the way I have seen everything.
Look at the tests the CIA did with all types of stuff like LSD, their results were all fucked up because of the setting they ran it in.
Now look at MDMA for example, you could go with the sitting around on the floor covered in rugs, low classical music playing in the background, hugging your girlfreind, puking rainbows of love & all that new age hippy shit or you could go to some squat gabber techno rave in Camden & go totally fucking nuts till 8am & have the time of your life.
For me the 2nd option wins every time, will give you a far better view of the chemical imo.
Oh btw, big fan of the Merry Pranksters here. But when Kesey came to London a few years before his death to promote that film he was an embarrassment. The way he referenced women would have been embarrassing if it was still the 60's.
StoneHappyMonday said:Your heroes always let you down.
What short-sighted nonsense. It will give you a far better view of the chemical, because that's clearly what you prefer to do. If you gave my mum eckies in a Camden gabber squat party she'd fucking hate it, because she'd fucking hate the setting. Whereas she might like the other option.
To get a real view of something you should probably be in your house, on your own. That way the drug isn't affected by anything external. In your examples the setting has more to do with it than the drug itself, so you're in no way getting a real view of the drug.
On this we can agree, at least!
In a room above the sound system, with the floor bouncing to the beat, and a bag of k...!
I mean to say I think you need to be in extreme places to get a real view of something. It is no good being in a safe place you need something that will throw you off guard & open your mind up.
There is nothing better than on these cold winter nights (or days too) getting loaded up under the duvet, cup of coffee & a spliff in easy reach, room with only the tv on for a small light source watching the world drift by. To me thats perfect.
Just looking for a bit of consistency here. In the disassociatives thread you said
Elucidate.