@morningglory
I like it Morningglory. I am just making a guess here, but the entirety of that song wasn't just recorded into one program (protools/ableton), or was it? I am also guessing that you have a history of music recording/multi-tracking in general?
I really like the glitchy-break parts (IMO there might be too much 1/32 or 1/16 glitching on that high-end noise, but that is just me). Around the 7 minute mark it starts getting this almost Spaghetti Western/Doors-ish vibe. I can really appreciate something of caliber. It would be a good track to play during a MDxx come-up. Keep making tunes, big ups.
Also, you don't have to put a genre on your music. It is just a quality tune up and down. I like music that defies the general genre-ism(s) that most music falls into today.
@albion
I am checking out Maximizer right now, and previously just listened to Old Frontiers. I really like Old Frontiers. Just a nice soundscape. I really like making ambient noises because they tend to be EQ friendly and require little compression to get their best possible sound.
Maximizer has a lot of potential to be a neat tune. The break that sounds like it has a lowpass filter on it has a real DnB vibe, but the drums you layered over them at the .52 seem to clash with them. What DAW software do you use? I might be able to give some advice and/or some preset VST settings that help with the layering of drums to better the sound profile of single drum hits. Just let me know.
Good work all!
-Also ; If anybody would want to work on a collab project, I have a way of transferring project files and sound files easily. So it can make collaborations from different parts of the world as simple as a click of a button. I mainly produce house music (110bpm-133bpm garage, bassline, 2-step, funky ), but sometimes I meander into other territories like hip-hop/sin wave driven dubstep.
Get at me all' and keep pumping out them jams. Bigups!