Your own productions go here!!

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i've got a new torrent album here for you - house music - 11 tracks - 3 new and 8 favorites from the past..

wots.jpg


http://www.mininova.org/tor/2969412

and please do come by NoahCohn.com for more music!
 
Not had a chance to listen back that far but nice track Danny. Sick Bass line.

Not a bad beat developing there heresy.
 
I've some some serious creative block right now but here are some past productions of mine (direct http download links to mp3's)

Dubstep:
"For Glory"

http://homepage.ntlworld.com/servebeer/Max%20Troy%20-%20For%20Glory.mp3

Drum & Bass:
"Cosmic"

http://homepage.ntlworld.com/servebeer/Max%20Troy%20-%20Cosmic%20(320%20kbps).mp3

Breakbeat:
"Bass Down"

http://homepage.ntlworld.com/servebeer/Max%20Troy%20-%20Bass%20Down.mp3

Liquid Funk DnBish:
"The Pink One"

http://homepage.ntlworld.com/servebeer/Max%20Troy%20-%20The%20Pink%20One%20(192).mp3
 
i've been sat here for 22 hours straight making this

http://www.youtube.com/watch?v=tcdxxnyJK8Q

anybody care to give it a listen?
I've heard it on loop so many times I can't work out if i like it any more!
It's not my usual field of expertise, but i thought i'd try something new.

Would very much appreciate any constructive input
Nice cymbals and snare w/ echo delay in the intro drums. It also sounds like there's a backwards cymbal clip also. I didn't care for the dnare roll leading to the intro of the synth line @ 1:00. I didn't care for the synth line. Maybe w/ a different patch? That bass tone at 1:23 is really sick. What would that sound like over the drum riddim from the beginning? I like all the vocal samples. @ 2:20 I like the intro of a synth line on top of the bassline but once again don't care for the synth patch. B'down around 2:40was pretty dope except for the snare you use there. I like the big bass sound on the kick and the claves/woodblocks and really like when you throw in that liquid sounding bassline. I like the fuzz bass that comes in after that but don't care for this little "whistle sound" that's going on at the same time.

After about 4:00 alot of it is the same. I would say the first two minutes offer the strongest rhythmic elements while the basslines around 1:20 and the liquid bass after the breakdown are the best bass elements.
 
I've some some serious creative block right now but here are some past productions of mine (direct http download links to mp3's)

Dubstep:
"For Glory"

http://homepage.ntlworld.com/servebeer/Max%20Troy%20-%20For%20Glory.mp3

Drum & Bass:
"Cosmic"

http://homepage.ntlworld.com/servebeer/Max%20Troy%20-%20Cosmic%20(320%20kbps).mp3

Breakbeat:
"Bass Down"

http://homepage.ntlworld.com/servebeer/Max%20Troy%20-%20Bass%20Down.mp3

Liquid Funk DnBish:
"The Pink One"

http://homepage.ntlworld.com/servebeer/Max%20Troy%20-%20The%20Pink%20One%20(192).mp3

i really enjoyed the dubstep track.

heres a drum and bass track ive been workin on, let me know what you think, its just garageband but shit turned out pretty proper

http://www.youtube.com/watch?v=a8z5d-IlUmA
 
REview Master dubstep was my favorite but they all are good beats.

Danny that wanksta mix is crazyness love it. Wasnt expecting that at all

Dj303 i really liked it the voice overs and the bass tone is the shit there were some parts where the snare could have not been used but overall nice i would download it. what is your normal expertise?
 
evenin all.

thanks for everybody's kind feedback, i appreciate praise and constructive criticism muchly.
especially thanks to |>R()|)!G/-\|_ for your detailed breakdown, you really helped me in the right direction and i respect you immensely for taking the time to share your real opinions and words of informed advice.

bama420, by normal expertise, do you mean my profession or my usual music style?
Anyway, i am a DJ, organiser, promoter, track maker and drum teacher.
these days I am best known in east-asia, and spend most of my time playing events in Japan and other surrounding countries.
I play for the crowd but generally have a hard, bass heavy and energetic style with a tendency towards powerful bass kicks and making an impact. my roots lay in London acid techno but i have released and played music from breakbeat to techno to dirty electro to jump up drum and bass or ruff jungle to dubstep etc.
I have also occasionally been known to throw down some old roots reggae wax, and some gems from my punk collection.

been in the studio again last weekend, more work in progress for anyone who would take the time to listen and tell me what they think. my producers showed interest in this one, so i hope to release it next year when i have decided on my direction and put some hard graft in.
see what you think.
any thoughts welcome as long as they're intelligent and respectful.
this ones a bit of a quirky drum and bassey track with clear influences from my youth.

keep on bouncin fellow BL'ers.

DJ

http://www.youtube.com/watch?v=LE4-V-qQzEI
 
D-Reflection "Wanna Party?" Clay Watkins, Sandwich Chris rmxs (Jackin House)

https://www.stompy.com/EP/150316
wannaparty.jpg

The second release on Sniff your Ears Recordings showcases a very talented selection of house music producers from the Netherlands and U.S.A. We introduce the talented young dutch producer D-Reflection on our label for the first time with this aptly titled track. With remixes for Joey Youngman, Bryan Jones, Raul Moros, Vincent Kwok, Hanna and projects with Dutchican Soul, he is one of the finest up and coming talents in the house music scene at the moment and we are glad to bring his quality to our label.

D-Reflection’s original mix is a seriously funky, soulful and jackin house track. Nice piano stabs, a grizzly bassline and a catchy vocal make it a certainty on any dancefloor. He also took the time to create the ‘Fresh Dub Mix’ which reflects the same vibe.

On the remix front firstly we have Sandwich Chris. With releases on Kinjo, Llama Farm and his hit on Flapjack (‘Music Speaks to All’), he deserves a nice introduction. We are very happy to have him on this package as his remix gives the package a deeper feel with his use of acid sounds, a deep bassline and other cool production elements.

The second remix is from U.S producer Clay Watkins. With one release under his belt so far we can say he is a fresh kid in town, but nevertheless he did an outstanding job on that track. The remix he has done for us is funky with a twist of blues. Real cool organ solos are used that give the track enough soul and body to make it work on this release. We recommend that you check out his other release too.

The final remix which completes the package is a huge soulful track by Costalane. A splendid track with massive keys and solos, Costalane knows how to make soulful music and with this remix there is no doubting this. You will hear more from him soon, but this is a great introduction to his sound.
Sit back and relax...


Thanks go to Tommy Largo for mastering all tracks.

Click here to listen to this album @ Stompy.com!
 
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