Could you lend me 2,000 francs?
Vivre sa Vie is the third Godard film I've seen (
Made in USA,
Pierrot le Fou). It lacks the 'experimental' nature of the latter and the colorfulness of the former, but it makes up for it with it's subtle charm. Not the least of which comes from the lovely Anna Karina.
Godard's close-ups accentuate the simple contours of her face. Her restraint, at times, to not reveal much. And yet she gets so much expression out of that same simplicity, the way she plays with the camera is unlike any actress I've seen before. Truly Godard's muse.
Going back to the subtle nature of the film, there are self-referential moments in the film that Godard works in so wonderfully. The magazine story the girl reads in the record shop, the Joan of Arc film Nana goes to see (great shot, btw), the reading of Poe's
The Oval Portrait. The last works on many levels, [SPOIL]foreshadowing her death while acting as an allegory for a woman's beauty becoming her ultimate demise.[/SPOIL]
The film carried a tinge of existentialist themes which I always enjoy (see: my love of Bergman) and I thought the silent/subtitled scene following the philosophical discussion on language and it's usefulness, or lack thereof, was ingenious.
I also loved the quick (inadvertent? nah.)
Jules et Jim nod towards the end. A reminder I need to see more Truffant. The ending was abrupt yet somehow . . . oddly fitting.
Overall, as with other Godard films, it will take me several viewings to fully appreciate this one. For now, it has certainly left me satisfied and entertained. And it also left me wanting to see more jump cuts in films. God knows YouTube bloggers have already beaten that poor horse to death.
I've been making entirely too many gifs lately. Without a Tumblr as an excuse, no less!