Lacey: "Lacey likes Bachata...": WOW! I never thought I would ever see someone on BL who would even know what that word means, let alone like it!
I love both types of Bacahata "Regular" and "Nueva York" or as non-Spanish speakers tend to call it, "Urban Bachata."
I just got a load of CDs 2 days ago! Xtreme, Adventura, Marcy Place (from my old hood) and Bachata Heights.
For those that do not know, Bachata is a genre of music that originated in the highly rural highlands of the Dominican Republic, a nation that encompasses half of the island of Hispanola in the Caribbean.
It is a slow to medium beat, very latin/tropical but with heavy emphasis on lead guitar using very melodic riffs that are finger plucked. Vocals are almost always on a romantic theme (love songs).
The Urban variation keeps the guitar as is, adds a plucked electric bass and uses
R and B arrangements with an admixture of Spanish and English (or sometimes that guinessential dialect, "Spanglish").
Some regular Bachata artists, or "Bachateros," are Juan Luis Guerra with or without the group 440, Zacarias Ferreira, Monchy and Alexandra, Los Toros Band, El Gringo de la Bachata and a million others.
The Urban variation actually began in the S. Bronx, so yet another hone grown genrew, though unlike Hip Hop I do not think kids in Japan will be getting down with it...though...come to think of it, Orquestra de la Luz, a damn good Salsa combo was Japanese! Hey, you never know.
"Lacey ALSO likes Reggaeton...": Well, OK, within the last couple of years Reggaeton has really evolved so that I can also claim to like it as well now. Truth be told, I hated it with a passion. I came back to NYC in May and lo and behold, it has changed so much.
This genre is rooted in Panama. In the late 80s when Jamaican "Toasting" had largely evolved into "Ranking," but before "Dancehall" had really coallesced, Panamanians in and arpund the edges of the Canal Zone began getting into it heavily, only adding Spanish into the mix.
Many black Panamaians are only 2 or 3 generations removed from the English Caribbean, primarily Jamaica and the Caymans. When US contractors began excavating for the Canal in the first heady years of the 20th Century they needed a cheap labour pool that could withstand the clime and so they used Jamaican labour sub-contractors.
The Canal was a long term project and in the end many stayed in the region. Today their descendants continue to retain Anglo names, and speak English in a Jamaican patois that was spoken 100 years ago, as well as a strangely accented Spanish.
So...this variation of Reggae was basically the same as its Jamaican counterpart, and was typified by an artist called "El General."
From the Canal Zone it bounced, up to Florida and Brooklyn, NY where so many Black-Panamanians live, where the Spanish lyrics appealed to small groups of Puerto Ricans. By 92 it was in Puerto Rico. By 96 it had evolved into an entirely new genre, with only the core rythym pattern staying the same.
By the turn of the 21st Century it was wide open in NYC, and began spreading to all Spanish speaking portions of the US...and yet all it did was repeat the same refrains over and over, sexually themed (as in X-Rated), with monotonous precussion (not as in Trance but more like Ambient), and droning monotone voices. No harmonies, no variations, as I said devoid of meolody...
But sometime between 2006 and now it has evolved into a very melodic music, with more variations in lyrical content.
Way off track, I know, but Lacey suprised me in a big way.