WikipediaThe Coyote (US play /kaɪˈoʊtiː/ or /ˈkaɪ.oʊt/, UK /kɔɪˈjoʊteɪ/ or /kɔɪˈjoʊt/; Canis latrans), also known as the American jackal or the prairie wolf, is a species of canine found throughout North and Central America, ranging from Panama in the south, north through Mexico, the United States and Canada. It occurs as far north as Alaska and all but the northernmost portions of Canada.
There are currently 19 recognized subspecies, with 16 in Canada, Mexico and the United States, and 3 in Central America. Unlike its cousin the gray wolf, which is Eurasian in origin, evolutionary theory suggests the coyote evolved in North America during the Pleistocene epoch 1.81 million years ago alongside the Dire Wolf.
Although not distantly related, the coyote evolved separately to fill roughly the same ecological niche in the Americas that's filled in Eurasia and Africa by the similarly-sized jackals. Unlike the wolf, the coyote's range has expanded in the wake of human civilization, and coyotes readily reproduce in metropolitan areas.
dictionary.comadjective
1.
readily perceived by the eye or the understanding; evident; obvious; apparent; plain: a manifest error.
2.
Psychoanalysis . of or pertaining to conscious feelings, ideas, and impulses that contain repressed psychic material: the manifest content of a dream as opposed to the latent content that it conceals.
"fey"
ahhhahaha thats great.
"adorable" i like to use...
aw-full is very interesting to me. idk why it turned out so bad.?
it is just killer.
i saw somewhere that Alister Crowley would cut himself every-time he wrote or spoke the word "it".
lol
i see why that was said at-least now.
i really try and not use the word "it", while writing. there shouldnt be any need, most of the time.
~ speak thine will, do not forgo thy essence.!
Poïesis is etymologically derived from the ancient Greek term ποιέω, which means "to make". This word, the root of our modern "poetry", was first a verb, an action that transforms and continues the world. Neither technical production nor creation in the romantic sense, poïetic work reconciles thought with matter and time, and man with the world.
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Martin Heidegger refers to it as a 'bringing-forth', using this term in its widest sense. He explained poiesis as the blooming of the blossom, the coming-out of a butterfly from a cocoon, the plummeting of a waterfall when the snow begins to melt. The last two analogies underline Heidegger's example of a threshold occasion: a moment of ecstasis when something moves away from its standing as one thing to become another.