Cross-posted in mah' journal.
Friday night was roast vegetable pizza at
Duckboy's with some bideo's [no, this isn't a spelling error - - Engrish people] I borrowed + Smirnoff Blacks.
Tarnation was amazing. So haunting, gritty and real it made me cringe but I couldn't look away.
For those who don't know, it's the story of David Caouette's life; a first time film maker who brings new and fresh meaning to what a documentary can really be.
David recalls his life and parts of his disabled Mother's through original home-shot film he began shooting at the tender age of eleven.
It's constructed entirely of records from his life journey - movie snippets, answering machine messages, letters, telegrams, photos, interviews and an imaginative and fitting use of text to help to build the story.
It's an unforgiving recount of a life filled with anger, hurt, abuse, depression and amazing love and devotion. It's become famous as being made for only $218 on a Macintosh and edited with the free iMovie software that came with it [of course when it was commercially released world wide a lot more money was spent on the songs that were used to avoid copyright infringements, etc.].
It's a fast paced, visually spell-binding and utterly original quality piece of film.
*****.
Metropolitan was a little less exciting.
It was a low-budget film starring a cast full of somewhat bumbling new to the scene early adult actors who never looked entirely comfortable on screen.
It tells the rambling lengthy story of a group of preppy upper-class snobs coming to age in what looks like the 50's in Manhattan New York.
The scripting is tight and the characters are likeable, but the subject matter became old fairly quickly and there wasn't enough wow factor to keep us both interested in what was happening.
We both appreciated the language and the subtle humour lacing this but as a piece of modern film it didn't quite work. Still worth watching if you have nothing better to do.
**.