ForEverAfter
Ex-Bluelighter
Oh, that makes sense.
Yeah, there was a lot of generic apocalyptic fodder in Fury Road.
LOL @ the dude above who is having an existential crisis
damn this thread got boring, quick
bickering like a school girl is hardly an attempt at conversation hardly an attempt at conversation
it seems like your grasping at straws here.
for all you have said about not being interested in things
you insult me for making a connection, or paying attention
didn't mean to suggest that their inclusion is any sort of self-reflexive or meta- commentary. there's an argument that playing within its genre gives the film weight and significance. making a flop with a well principled feminist agenda isn't impressive. making a blockbuster with compromised feminist themes seems to be. i found a reviewer phrasing this idea particularly well, but i've given up on finding it again. i'm not really suggesting Mad Max is exhibiting mastery of form. i am really saying i don't fault film for favoring beauty.Like you said it "emphasizes" beautiful women, because it's an action movie. But it doesn't do so in order to transcend the genre. And, it doesn't even attempt to do so (beyond the pandering illusion).
right. though, while i agree that Mad Max is being salacious, i get the feeling we'd genuinely disagree about a girls and film.Can't you emphasize beauty without being sexist?
fashion photography is a big part of why i'm stepping back to be clear that a work can emphasize beauty and be feminist. but there is amazing fashion photography, where as this scene is reminiscent of a Glamour, Vogue, or Maxim editorial.And, while that shot is stunning, it is no more stunning than a lot of fashion photography...
Take away the chastity belt and the pair of bolt-cutters, and you've got the front cover of some shitty magazine.
the merit of reading “Fury” through a feminist critical lens is a separate thing entirely from declaring it a feminist work. I see “Fury Road” as, in part, a strategic response to the purchasing power that women hold: it capitalizes on the very real lack of developed, dynamic female characters in film, but it is a barometer of change, rather than the voice of change itself. --sasha tartikovsky jones
feminism is hip.
http://www.dailymail.co.uk/news/art...Namibian-desert-married-14-month-old-son.html‘I saw her bag with her name on it and my opening line was literally, Hi. I see you’re Dayna. I’m Dane”. That was about it,’ he added.