i hadn't thought of this in monadic terms, as qubits, as quantum systems certainly don't have intrinsic identity in the metaphysical interpretations of quantum theory that i have seen. modern physics supports ontic structural realism (osr), which cannot accommodate Aristotelian conceptions of objects. i think the conception of the universe in information theoretic terms is consistent with osr and hence with the metaphysics suggeted by modern physics. there are various flavours of osr but the basic idea divides reality into objects and relations, the relations form a structure, and the objects within these structures, if they exist at all or can legitimately be called objects, cannot exist independently of them.
For Aristotle substantial forms (such as: animal, dog, cat, chair, table) preside over pieces of matter. In the sense: that heap of matter is gathered and unified into something concrete (a hylomorphic substance). The heap of matter is organized such and such, for example: that wood is organized as a table, and not organized as a chair. Because over the matter presides some substantial form (tableness/chairness) we get concrete things: tables/chairs.
Now... Leibniz's monads are more sophisticated. They are also composed of matter/form (but in a different way)... monads don't even belong to space/time; nonetheless, they "correspond" (big problem in his philosophy!) somehow to the spatial/temporal embodiement of concrete things; they represent the phenomenal world (everything we perceive, feel, hear, think, etc.). In a certain sense one can say that monads are the cause of it, or perhaps stated more carefully "they are the condition of possibility for it."
This is probably from a positivistic POV not interesting, absurd and metaphysical BS.... on the other hand, logical positivists lack the sexyness of Leibniz's philosophical thought! Leibniz does not "take for granted" that "there are" (!!!) appearences; empiricists will just presuppose this and only scrutenize/describe those appearences (e.g. describing the mechanical laws which one can perceive with empirical eyes).
But it's far from obvious why there should be appearences at all. Leibniz thus questions into the ground of the appearences (i.e. a metaphysical question). Appearences must be taken in wide sense; everything "that appears" (thoughts, sensible images, feelings, pain, galaxies, the sun, planets, stones, atoms, electrons, protons, animals, etc.) can be called an appearence. So it's not only about appearences "to" the human consciousness. But the whole universe itself is "appearing" or "presenting itself" and "sustaining this presence." However, one must be cautious here... monads don't fill an abstract empty Newtonian space (a container), but they "make up" the phenomenal world (on which our thought can impose some three-dimensional structure though)... I repeat: everything in front of you is "made present" by monads. Your table and computer are not just "placed in" a Newtonian space (= big Euclidean-or-whatever-geometrical-space which can be filled); it's a different kind of space that gets filled, which is something really hard to grasp... but if someone would be interested, I suspect this to be similar to Plato's notion of the chora/receptacle in the
Timaeus.
Monads most primordially (for Leibniz) produce phenomena, more specifically they also harmonize all their representational acts. For example= "I feel pain" = appearance-1; "the doctor presses a needle in my arm" = appearence-2. That's with regard to the body/mind problem... but take another example, namely gravity: the movement of sun and that of earth "harmonize" phenomenally which each other. The sun [or gravitational field] doesn't "act on" the earth. For Leibniz there is no causality (cf. also Descartes, or Malebranche
occassionalism). However, the many monads "corresponding" to the sun, and the many monads "corresponding" to the earth "harmonize" with each other, and bring about natural phenomena in a harmonized fashion (i.e. the movements of the earth/sun, about which the human mind can claim some causality; but "in reality" for Leibniz there is no causality.)
http://www.iep.utm.edu/leib-met/#SH8b
Each monad contains everything there will happen in the world. So, here you can make the link with information theory. Each monad "contains" all the (relational) information of the universe already; monads don't interact; monads (or qubits in your term?) don't interact with each other, they only harmonize. Moreover, another characteristic of the monad is that it has its own principle of transition in itself (appetito); moving from perceptio1 to perceptio2 (or in your term: computer state-1 to state-2).
Another addition (I'm in in a hurry): why is the whole universe in a single monad? For example:
P=possibility
p1=I stay inside, because it rains outside
p2=there exists a house in the universe
p3=there are some clouds in the air
p4=there is a certain temperature that makes the clouds condense (or whatever what produces raindrops)
p5=this temperature is related to heat sun, orbit of earth,...
p6=the heat of the sun is related to its age
p7=its age is related to nature of some other stars in the cosmos, etc.
Hence every possibility (or all the happens in the universe is related to each other). Even though the monads to my body represent p1, p1 itself is not an isolated possibility, but p1 implies p2; p2 implies p3; p3 implies p4, etc... as a consequence p1 implies the whole universe; that's how you must understand that Leibniz says that every monad "contains" the whole universe.
When Leibniz says that the whole universe is in every monad he doesn't mean that all galaxies/stars/earth/... are "inside" the monad; just that all "information" of the phenomenal universe is "in" the monad; which they consequently will unfold in producing the phenomenal world.
In Leibniz's case God created the harmony of the universe before creation, such that
M1: p1(t1) -> p1(t2)
M2: p2(t1) -> p2(t2)
M3: p3(t1) -> p3(t2)
etc...
and all transitional states of the monads harmonize.
In the current context of physics, one may indeed "replace Leibniz and God's creative/combinatorial activity at the beginning of creation;" and the physicists can reclaim the predictions of the transitional states of monads/qubits.
But... a last difference must be pointed out... this is important! for Leibniz the monads are non-extended (= not spatial/temporal; they don't have the kind of matter you can hold with your hands or put under microscopes); your suggestion of contemp. physics seems to differ on this point; they claim that the fundamental computer-states can be measured; this computer states (=qubits) are physical things for them (not?)... whereas for Leibniz the monads are not physical, they are metaphysical... they are what creates/produces phenomena, more specifically: the phenomena "in which" we discern, observe and measure 'physical' things...
In this sense Leibniz is an
idealist (all there is are minds/spirits and their representational/perceptual acts); "this table" is first of all synthesized appearance produced by the perceptual acts of infinitely many monads; and only secondly (=phenomenally) this might be called something material which our hands can hold; which thirdly (= human mind) can be said to be "in" a Newtonian container. The human mind adds this spatial structure to the phenomena.
*Addition. The "material" stuff
in the phenomena (you might say) is not spiritual. Indeed you can lift up this chair with your hands; there is nothing "spiritual" about this chair, my hand touches some "material stuff." So one might say: this chair is definitely material you crazy person!.... But wait a second, for Leibniz (in reality) there is just a flux of flashing images/phenomena (of different phases of your lifting the thing up). Cf. a movie that is being projected in the theater on some screen; you see "people" moving 'on' the screen, whereas actually there is just a flashing of new images/phenomena; and "in reality" there is just some projecter playing the movie. The phenomena (playing movie on the screen) has only a derivative reality, whereas the "projecting movie tape" (monad) is more REAL [see N1* below].
The monad/projector is the "condition of possibility" for appearences to appear [see N2* below]. Or stated differently: "the condition of possibility for the Universe to present itself;" that is, "the condition of possibility for all happenings/events/occurences to happen." This is how it works for Leibniz. The sensible/empirical reality is just a well-founded phenomena, and there are infinitely many monads harmonizing; representing themselves just like in theater there would be infinitely many projectors playing the same "abstract movies" together. However, each projector has a different point of view. Projector-1 is representing "the top of the screen," whereas projector-2 is representing "the bottom of the screen." Just like in reality there are "different regions" happening, nonetheless (ultimately) all projections are overlapping on exactly one "sensible screen."
In reality the universe doesn't change (cf. problem Being/Becoming); the "movie tapes" in the projector do not change; they are "unities," however they just turn arround (Leibniz calls this appetitio) and they show different parts (Leibniz calls this perceptio; you might call it "computer states") of the movie.... and this projector can be contrasted with the "appearences," i.e. the screen on which you see a multiplicity of images appearing; which is always changing without unity. (cf. flux of Becoming of Heraclitus). Maybe people can afterwards (when they go home) recall all different parts of the movie and reconstruct it as a unity, but this is for Leibniz a "phenomenal unity" provided and constructed by the human mind. The real unities for him are "movie tapes" (monads) which have gathered apriori all images (call it nowadays: state of affairs, logical possibilities, information, etc.) that can possibily appear and express themselves in the phenomena.
*N1: A really hard question is whether or not we must distinguish between the "movie tape," the "projector qua enactment of movie," the "screen qua receptive medium" and the "screen qua presenting medium."
*N2: If one is interested, check out wikipedia for the historical background on Kant and German idealism with regards to transcendentalism.
>>>> anyways, returning to the original body of the text now (before my addition)
.... Materialism "takes for granted" the thereness of "material stuff" whereas Leibniz tries to think how the thereness "gets there" (by monads representing the universe; making things present by perceptual/spritual acts of representation.
You can maybe compare it with the human mind: whereas "we make the 'outside' present" for Leibniz the whole universe (stones, grass, atoms, and all other 'material' things) are produced by infinitely many spiritual substances (=monads); the phenomenal/material universe is produced by an infinity of spiritual substances and their perceptual acts (harmonizing phenomenally coherently (like it were some unified dream of an infinity of spiritual substances). This can be compared with the representational power of the human mind/consciousness; Just like the "color red" is
in the human mind and not something "really real".... in Leibniz's philosophy we can say analogously that "all there is"
in the phenomenal universe (stones, matter, atoms, water, oxygen,...) is not "really real" too, but merely in the perceptual mind (representational act) of an infinity of monads representing (= making phenomenally present) the universe; cf. also
panpsychism.
Some last thing, saying that there are only monads/spirits/souls doesn't contradict atomism/materialism or mechanical philosophy. In the phenomena we can still find material atoms (just like we "see" material bodies on the movie screen); similarly, we can also see in the phenomena objects moving according to mechanical laws through space (Newton, Galileo, etc.); these are indeed the 'basic things' and 'laws' of phenomena; but Leibniz wonders what produces the phenomena; there is no contradiction between spiritualism and materialism. Something spiritual produces the phenomenal universe, in which we can find 'material' stuff that behaves according to the mechanical laws of physics. It's important not to confuse the whole picture: monads are not "in front of us" (they are not 'part' or 'elements' of the phenomenal/material universe); they are what produces the phenomena; in a certain sense they are thus pre-phenomenal and transcendental (= condition of possibility for something to appear).
*Last addition: Another metaphor you might find useful (or like). The noumenal (= Kantian term) world of monads can be compared with the hardware of a computer; the phenomenal world can be compared with the audio-visual appearence on your computer screen. The hardware (infinity of monads) produces (i.e. "makes present") something coherent on your computer screen (phenomena). You don't see monads "in" the phenomena just like you don't see an electric circuit on your computer screen; you see on your screen what the hardware produces. N.b. this only remains a metaphor, since for us
both hardware and the appearances on the computer screen belong to our phenomenal world (whereas the metaphor wants to suggest the distinction between both).
* Now, the really last addition (just to make my post more sexy and get people to read it)
The Matrix.
Ok, I got people's attention (yay!). Hopefully they keep on reading while I continue with some serious philosophical questions... for instance, in the above metaphor of the "movie tape" how can the "abstract movie" be translated into the "phenomenal movie." The "movie tape" (for example DVD) must "translate" the binary into the visual/sensible reality. Yes, human technology managed to accomplish this (we have dvds and tvs), but remember we are still on a metaphorical level.
Repetition:
abstract movie (DVD, 01010101111) represents the concrete sensible movies
~= metaphorically ~=
the abstract universe as gigantic computer (containing all information) represents the empirical universe
~=
the world of infinite monads (and their perceptions) represents the phenomenal universe
But there is a problem.

The Universal Cosmos or "Reality in itself" as a gigantic computer "needs a trick" to translate the digital into the phenomenal. Let's consider again the above "metaphorical analogy" of binary code on the DVD (10110011) which needs to be translated into a "visual movie." This leads us to our non-metaphorical metaphysical situation... namely we must now try to philosophically understand how the monad/qubit (having 'abstract' cosmic information) can produce the phenomenal reality (having 'concrete/empirical' things like: colors, smell, animals, living things, human feelings, organic bodies, blood and flesh, geometry, etc.). Actually... maybe Kant's
schematism can provide some help. The big question is of course how spatiality/geometry etc. can arise from something that lacks these properties all together (e.g. 'abstract' information, 10101100111).
*** Actually, Plato (and his theory of forms/ideas) already had to confront this problem in the beginning (=the end) of philosophy. My whole post tried to point out the historical/philosophical origin of the contemporary use of the word "in-
form-ation" in physics. Plato too needed a trick to "translate" the world of "forms" into the sensible world (geometry/color/spatiality/etc.). As a reward for keeping up with all the hyper-abstract (borderline schizophrenic) philosophy, here is some free movie-trivia.

Did you know that The Matrix was a rip-off from Plato's
Cave Allegory already written two thousand years ago?