International | Modern & Traditional

mr peabody said:
I have to say, that I myself am quite oblivious to what I would characterize as modern foolishness, à la Dead Can Dance.
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Jesus wept.😕

Well done.👏 Loads of cheap convenience, no life/quality of life -no purposeful, future for new generations.
 

Echoes from the Levant​

Derya Turkan, kemence - Kyriakos Kalaitzidis, oud​




1. Ζeimpekiko « T’ aspronisi » (The white island). Music: Kyriakos Kalaitzidis
2. Wahabibi - Traditional Maronite Hymn based on Giovanni Battista Pergolesi (1710-1736) melody
3. Huseyni Saz Semai Music: Antonis Kyriazis (?-1915)
4. Çeçen Kızı Music: Tanburi Cemil Bey (1873-1916)

" A spiritual journey to places and times where every separation ceases to exist. Love, coexistence, respect, ecstasy and light! "

<3 :cry:
 
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Omar Faruk Tekbilek - Dulger [2000]​



OmAr Faruk Tekbilek is a Turkish musician and composer who plays a wide range of wind, string, percussion, and electronic instruments. He has developed a style that builds on traditional Sufi music while incorporating inspiration from ambient electronic musicians, most notably Brian Keane.

<3 :cry:
 
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Daiqing Tana and Haya Band - Ongmanibamai [2011]​




DaiQing Tana & HAYA BAND - Qinghai Lake "Silent Sky" [2010]​




Daiqing Tana, an ethnic Mongol singer-songwriter from Qinghai, China, sings this piece of music from Mongolia.
 
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mr peabody

Post in thread 'International | Modern & Traditional'

Ginger Baker Band [1990] - Under a Black Sky



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GINGER BAKER BAND featuring JONAS HELLBORG and AIYB DIENG perform " Under a Black Sky" from the "Middle Passage" Album recorded on 24th June, 1990.​
 

Altai Kai "ULUHAN"​





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Altai Kai is a world-renowned folk music group from the Altai Republic of the Russian Federation. Their band name means Altaian Folklore. Their music features throat singing, and is often about the nature and history of Altai.
 
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Galdr (The Chanted Spell) | Old Norse Viking Music​




“Galdr (The Chanted Spell)” is an Old Norse ritual song about the force of words when they are no longer spoken, but sung into being. In Norse tradition, galdr was not casual speech - it was chant, breath, rhythm and will, carried through the voice until language became power. The song follows a lone voice calling from the chest, shaped by raven cries, heavy steps and deep ceremonial rhythm. The lyrics move around the idea that a spell is not explained. It is carried, repeated and awakened through sound.​
 
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