Valium
Bluelighter
It was a miracle. All my life all I heard growing up was KTU [radio station, tragedy] and its predecessors....so I thought I'm all hoighty-toighty with my knowledge of 'real music', and then one day I get my "ID" and go into Arc and hear Danny T, and I'm mighty confused because I like the music but can't understand why. Then I complete puberty and all and I know I appreciate electronic boom boom music, knowing nothing about it otherwise...comes the prom, and after the whole limo scene to EXIT [whorehouse opium den of the gatien empire? i believe so] and VIP and corpses lying about [that was 'back in the day']....and i hear something play and i really love it, again, i don't get it. Then I hear the same thing when my ex loveress invited me to Limelight, subsequently branded Avalon, subsequently and currently a posh boutique for the braindead elite of Grammerchelsea......and there I heard the same thing I heard in EXIT, so I started to listen...and listen
then i realized...holy shit, this is amazing. then i started going OCD style until the gatien empire folded. And 2.5 years ago we had a little techno revival in NYC which of course drifted right back into tech-house where it belongs, as they say [i don't mind now that i'm multi-genred]. This is when I went into the depths, literally underground, to explore and cling to the dregs of the NYC music scene, focusing on techno. Still love techno. Loved drumandbass at the Sully, loved LOVE because heard dubstep there for the first time ever and almost fell over backwards from the overwhelming wonder. Then saw a few artist abroad, outside the US, and in one Moscow club, the insane old woman from Cio D'Or recognized me and we had a little New York hug and squeal thing.
But I really got into it when i REALIZED, my love for music is founded in the work of JSB, and that I am in love with bass and rhythm, which is the foundation of all his work [arguments welcome], and how I actually started to link his music [the rhythmic aspect of it] to RnB and Soul and house and techno and everything spiraling outward therefrom. I thought...now I am beginning to understand music. And I have a lifetime ahead of me, and am sorry for those who never 'tried' to listen, but dismissed electronica as bleep-blop-bloop garbage devoid of soul and emotion.
yea. anytime I link something to Bach it becomes holy in my book. I'm glad I got the opportunity to be exposed against my will to electronica back in the day. It took so many years to process, had I heard it any later, I most likely would have dismissed it or gone beyond the point where I'd be capable of perceiving it as a musical form.
FIN
then i realized...holy shit, this is amazing. then i started going OCD style until the gatien empire folded. And 2.5 years ago we had a little techno revival in NYC which of course drifted right back into tech-house where it belongs, as they say [i don't mind now that i'm multi-genred]. This is when I went into the depths, literally underground, to explore and cling to the dregs of the NYC music scene, focusing on techno. Still love techno. Loved drumandbass at the Sully, loved LOVE because heard dubstep there for the first time ever and almost fell over backwards from the overwhelming wonder. Then saw a few artist abroad, outside the US, and in one Moscow club, the insane old woman from Cio D'Or recognized me and we had a little New York hug and squeal thing.
But I really got into it when i REALIZED, my love for music is founded in the work of JSB, and that I am in love with bass and rhythm, which is the foundation of all his work [arguments welcome], and how I actually started to link his music [the rhythmic aspect of it] to RnB and Soul and house and techno and everything spiraling outward therefrom. I thought...now I am beginning to understand music. And I have a lifetime ahead of me, and am sorry for those who never 'tried' to listen, but dismissed electronica as bleep-blop-bloop garbage devoid of soul and emotion.
yea. anytime I link something to Bach it becomes holy in my book. I'm glad I got the opportunity to be exposed against my will to electronica back in the day. It took so many years to process, had I heard it any later, I most likely would have dismissed it or gone beyond the point where I'd be capable of perceiving it as a musical form.
FIN