BigTrancer
Bluelight Crew
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"Forever Young": Consumption and Evolving Neo-tribes in the Sydney Rave Scene
Thesis --> http://www.cia.com.au/peril/youth/brookman.pdf
Found on the following page which contains lots of interesting material: http://www.cia.com.au/peril/youth/
I'm yet to read the whole thesis, but the chapter headings are killer (particularly Secions 3.1 and 5.1 IMHO)
Thesis --> http://www.cia.com.au/peril/youth/brookman.pdf
Found on the following page which contains lots of interesting material: http://www.cia.com.au/peril/youth/
I'm yet to read the whole thesis, but the chapter headings are killer (particularly Secions 3.1 and 5.1 IMHO)
Table of Contents
List of Figures iv
List of Plates iv
Acknowledgements v
Chapter 1 Introduction: Theoretical Overview 1
1.1 The Geographies of consumption 2
1.2 Youth Subcultures, Subordination and Hegemony 4
1.3 A paradigm for rave culture? 5
1.4 Maffesoli's Tribes 7
1.5 Resistance, Incorporation and Consumption 9
1.6 Themes in Context 10
Chapter 2 Dance Music and Geography 12
2.1 Experiential Consumption in Dance Cultures 14
2.2 The Rave as Ritual 16
2.3 Beyond the Performative Nature of Raves 23
Chapter 3 Fragmentation and Consolidation: Historical Perspectives of The Sydney Rave Scene 25
3.1 The Sydney Rave Scene 1996-2000 - 'Old Skool' vs 'New Skool', and Disappearing PLUR 28
3.2 Media, Moral Panic and Regulation of Dance Parties in Sydney 31
3.3 Divisions in Terms of Genre of Music 34
3.4 Other Divisions and Threats to the Scene 37
3.5 Themes in Context 1996-2000 38
3.6 Fragmentation and Consolidation within the Sydney Rave Scene 39
Chapter 4 Commodities, Clubs and DIY Raves 43
4.1 Cultural Signs and Commodities within Sydney Rave Culture Today 45
4.2 The Place of Rave Within 'Club Cultures' 52
4.3 DIY Raves - Regulating the Temporary Autonomous Zone 54
Chapter 5 Identity, Credibility and the Underground 56
5.1 Raver Identities, PLUR and Teeny Boppers 56
5.2 Credibility, Authenticity and Sponsorship in the Sydney Rave scene 60
5.3 'Underground - 'Where its Warm and Safe' 65
Chapter 6 Contextualising Rave as a Commodity Culture 66
6.1 Sydney Rave Culture - Evolving Neo-tribes 67
6.2 Geographical Perspectives of the Sydney Rave Scene 71
Appendix A 74
Methodology 74
Constructing the Questionnaire 75
Recruiting Participants 76
Appendix B 78
E-mail Questionnaire 78
Written Questionnaire 82
Glossary of Musical Terms 88
Bibliography 90
Filmography 94
(This Table Of Contents is quoted directly from the thesis linked above)
Might be worth a readI found what I've read so far to be pretty obvious, but that's speaking from a point of view knowing what the rave scene is like now and has been like for the last few years.
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