Cate Blanchett's character seemed to be a tribute to various classic Hollywood femme fatales. For one, her character looked waaaaaaaaay too much like
Louise Brooks for them not to have done it on purpose. And I got the feeling that the part at the end where she softly says "I vant to know" repeatedly in a thick European accent was a nod to
Greta Garbo famously saying "I vant to be alone" repeatedly in a thick European accent in Grand Hotel.
But maybe I'm reading to much into that. But this is the same woman that did a spot on Katherine Hepburn in The Aviator.
The plot does not hold up to much scrutiny. I'll just leave it at that.
I think it shows how secular and politically correct society has become since the last Indy film that they took out all the supernatural and Christian elements and replaced them with sci-fi ones. I think it kind of ruins things a bit.
Sure, you still got the big ending other-worldly ending with baddies getting their just deserts. But when the Nazi's opened the Ark in Raiders, the spirits poured out and killed them for their wickedness. It wasn't just justice but poetic justice. Like "Hey, that's what you get for being a Nazi". Ditto Last Crusade. Selfish guy picks the posh looking grail and turns to dust as a consequence.
Here the baddies get killed by morally-indifferent aliens just for being at the wrong place at the wrong time.
Shia Lebouef doesn't quite come off as a tough guy. I wouldn't give Shia LeBouef my wallet even if he did pull a switchblade. And he doesn't seem that authentically 50's. IMO, if you're going to make a guy a stereotype (in this case, a stereotypical 50's biker), you should maximize the comic possibilities of that stereotype or at least make it someowhat authentic. However, he did call Indy daddy-o.
But you know what I really disliked about his character? I hate hate haaaaaaaate when a character is obviously written into a movie for no other reason than to appeal to a certain demographic. I could just see the suits around a table saying "OK, Indy movies were made primarily for kids and teenagers. But the kids and teenagers today are too young to remember the original trilogy so we need a hip young face that they already know to get them out."
I mean was his character REALLY necessary? Did any plot points really hinge on him? At least they didn't give an unnecessary love interest.
Not dissing Shia personally. My complaints are down to the script writers.
Dispite my criticism, I would rate the movie "fair".