mr peabody
Bluelight Crew
Chavin de Huantar
Chavin de Huantar is an ancient temple located in a remote mountain valley in Peru, where priests with seemingly magical powers presided long before the births of Christ or Confucius. The temple lies about 160 miles north of Lima. Discovered in the late 1800s, it is a temple complex built by one of the oldest known civilizations in South America, the Chavin. Occupation at Chavin de Huantar has been carbon dated to at least 3000 BC, with ceremonial center activity occurring primarily toward the end of the second millennium, and through the middle of the first millennium BC. The earliest evidence of the ceremonial use of San Pedro (huachuma) is a stone carving of a huachumero (huachuma shaman) at Chavin de Huantar.
The location of Chavin helped make it a special place—the temple was an important pilgrimage site that drew people and their offerings from far and wide. At 10,330 feet in elevation, it sits between the eastern (Cordillera Negra—snowless) and western (Cordillera Blanca—snowy) ranges of the Andes, near two of the few mountain passes that allow passage between the desert coast to the west and the Amazon jungle to the east. It is located near the confluence of the Huachesca and Mosna Rivers, a natural phenomenon of two joining into one that may have been seen as a spiritually powerful phenomenon. The main site, Chavin de Huantar, is characterized by huge raised platforms formed from massive blocks of dressed stone.
The temple complex that stands today is comprised of two buildings: the U-shaped Old Temple, built around 900 B.C.E., and the New Temple (built approximately 500 B.C.E.), which expanded the Old Temple and added a rectangular sunken court. The majority of the structures used roughly-shaped stones in many sizes to compose walls and floors. Finer smoothed stone was used for carved elements. From its first construction, the interior of the temple was riddled with a multitude of tunnels, called galleries. While some of the maze-like galleries are connected with each other, others are separate. The galleries all exist in darkness—there are no windows in them, although there are many smaller tunnels that allow air to pass throughout the structure.
The location of Chavin helped make it a special place—the temple was an important pilgrimage site that drew people and their offerings from far and wide. At 10,330 feet in elevation, it sits between the eastern (Cordillera Negra—snowless) and western (Cordillera Blanca—snowy) ranges of the Andes, near two of the few mountain passes that allow passage between the desert coast to the west and the Amazon jungle to the east. It is located near the confluence of the Huachesca and Mosna Rivers, a natural phenomenon of two joining into one that may have been seen as a spiritually powerful phenomenon. The main site, Chavin de Huantar, is characterized by huge raised platforms formed from massive blocks of dressed stone.
The temple complex that stands today is comprised of two buildings: the U-shaped Old Temple, built around 900 B.C.E., and the New Temple (built approximately 500 B.C.E.), which expanded the Old Temple and added a rectangular sunken court. The majority of the structures used roughly-shaped stones in many sizes to compose walls and floors. Finer smoothed stone was used for carved elements. From its first construction, the interior of the temple was riddled with a multitude of tunnels, called galleries. While some of the maze-like galleries are connected with each other, others are separate. The galleries all exist in darkness—there are no windows in them, although there are many smaller tunnels that allow air to pass throughout the structure.
The village with which the Chavin site shares its name is home to about 1,000 people, mostly farmers. A single paved street runs through the middle. Horses and donkeys are frequently tethered on the main drag, and pigs shuffle about on the dirt side streets. The town abuts the site of the ruins, which attract slow but steady tourist traffic. Middle-aged women and young girls sell soft drinks and snacks outside the main gate.
A short walk over a small hill brings you within sight of the ruins—though there isn’t a lot to see at first glance. In the distance is the grassy Square Plaza. Closer to the entrance are the seven massive mounds that have been found at Chavin, including old and newer temple arrangements built over a span of 500 to 1,000 years. Impressive, crumbling walls are visible, along with what’s left of a staircase that led up to what was originally a four-story-high structure. Beneath the temples lies a labyrinth of dim, narrow and exotically named passageways—Gallery of the Madman, Gallery of the Bats, Gallery of the Offerings.
A short walk over a small hill brings you within sight of the ruins—though there isn’t a lot to see at first glance. In the distance is the grassy Square Plaza. Closer to the entrance are the seven massive mounds that have been found at Chavin, including old and newer temple arrangements built over a span of 500 to 1,000 years. Impressive, crumbling walls are visible, along with what’s left of a staircase that led up to what was originally a four-story-high structure. Beneath the temples lies a labyrinth of dim, narrow and exotically named passageways—Gallery of the Madman, Gallery of the Bats, Gallery of the Offerings.
The god for whom the temple was constructed is represented in the Lanzon (below) - a notched wedge-shaped stone over 15 feet tall, carved with the image of a supernatural being, and located deep within the Old Temple, intersecting several galleries. Lanzon means “great spear” in Spanish, but a better comparison would be the shape of the digging stick used in traditional highland agriculture. That shape would seem to indicate that the deity’s power was ensuring successful planting and harvest.
The Lanzon
The Lanzon depicts a standing figure with bared teeth and protruding fangs. The figure’s left hand rests pointing down, while the right is raised upward, encompassing heaven and earth. The hands have long, talon-like fingernails. The Lanzon deity is a mixture of human and animal features. The fangs and talons indicate associations with the jaguar and the caiman. The eyebrows and hair are rendered as snakes.
The ritual would have begun with the ingestion of the psychedelic cactus, San Pedro. As subjects felt their way through the dark, cramped tunnels, conch horns echoed around them from some unseen source. Water roared through canals beneath their feet (and, strangely, overhead). Mirrors placed in ventilation ducts to reflect the sun poured brilliant shafts of light into the subterranean hallways, only to be “turned off,” thrusting the occupant into total darkness. By the time initiates emerged from the chambers, their perspective would have been altered forever.
The ritual would have begun with the ingestion of the psychedelic cactus, San Pedro. As subjects felt their way through the dark, cramped tunnels, conch horns echoed around them from some unseen source. Water roared through canals beneath their feet (and, strangely, overhead). Mirrors placed in ventilation ducts to reflect the sun poured brilliant shafts of light into the subterranean hallways, only to be “turned off,” thrusting the occupant into total darkness. By the time initiates emerged from the chambers, their perspective would have been altered forever.
