"As a disc jockey, his manipulations are far from the mad scratchathons of hip hop; and the textures he conjures forth are also much more than the dreary post-industrial landscapes to which one might be tempted to relate his aesthetic. Instead they are reminiscent of the crepuscular quietscape of Rapoon or the dub minimalism of the Chain Reaction collective.
And yet Jeck creates so much more, too. As the apparatus are old and tired, they are apt to falter, and the records, scratched and dirtied by the years, are prone to wobble. All of which is incorporated into the soundscape on equal footing with the music contained within. Jeck can create a rhythmic loop of the dense scratches on an old LP that is sensual and tactile, downright physically appealing.
On Vinyl Coda, a number of records are set going in loops (created by tampering with the discs themselves with exacto knives, glue or tape), whereafter Jeck seemingly leans back and listens to the sound unfold before judiciously overlaying another loop on another machine, or inserting a vocal or instrumental sample on still another...
No digital technology helps him - his only effects are an old reverb, a guitar delay pedal and the fingers with which he twiddles the dials of the record players. On all three pieces (roughly twenty, forty and sixty minutes long, respectively), the results are absolutely hypnotic."
http://sonomu.net/text/~628/