I agree with most of the Shpongle choices, though "Flute Fruit" is a particularly good one to trance out to.
But going beyond Shpongle, 90% of my DMT trips begin and end with:
William Orbit - Samuel Barber / Adagio for Strings (~10 minute long mix from the album "Pieces in a modern Style")
Listen:
here(a quiet song, so blast to hear it)
Perfect length. Perfect synths. Perfect mood.
Every time.
-
Once I tried diving into 60mg DMT space while listening to one of those 20 minute long Yes (the band called "Yes") album songs...
All was well and good for about the first 15 seconds. Then there was this high, rising pitch and the Yes music literally got slower, and slower, and slower until all I could make out of it was slow, serene morphing waves of sound and almost voice-like beautiful and melodic clicking noises. This "music" would move forward for a few moments, and then move literally backward as if the audio were playing and then rewinding and then fading out and skipping farther ahead in the song to catch up with
real time (as it is moving outside my DMT-infused brain), after which point I would continue to hear it in incredibly slow motion with those added voice-like components once again.
I've never had DMT play with my perception of time so blatantly before, so it... well, what can anyone say about something that bizarre? I could think in a straight line "this... this is definitely not classic rock music anymore, how is this even happening right now?", and yet the music I was clearly hearing was in ludicrously slow motion, then fading into nothingness and skipping to catch up with real-time again, and from there either playing forward or backward depending on the whim of that peculiar geometric thing that seemed to be mouthing something to me the whole time behind my closed eyes. Something with a lot of v's and x's and z's in it, that's all I can really remember.
Boy was that a weird day.