IN, Indianapolis - 08.01.09 Saturday - Terry Mullan, Woody McBride, Hyperactive &MORE

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jckl

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IN, Indianapolis - 08.01.09 Saturday - Terry Mullan, Woody McBride, Hyperactive &MORE

SATURDAY, AUGUST 1, 2009



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WOODY MCBRIDE aka DJ ESP
Communiqué

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American elektro-shaman, Woody McBride, aka DJ ESP, rocks the world with his unique style of tribal techno, acid house, elektro, ambidelics, hardtek and authentic old school minimal electronic music.
Since 1988 ESP has been expanding minds with 100's of releases and 1000's of performances.
He has worn the hat of promoter, producer, mentor, spiritual guide, dj... the list goes on and on.
In short, McBride is a man of many talents and shows no signs of slowing down his incredible energy that he infuses into electronic music culture.
With releases on several other labels besides his own label Communiqué Records USA, ESP has had several small-hit records this past year. One in particular titled "Religious Experience" on Dave Clarke's White Noise Records.
ESP is involved with two major tours this summer. Thee Hammer of Thee Gods tour with DJs, Hyperactive & Terry Mullan. The three will be touring the US through summer '09.
McBride is also launching his solo tour this summer promoting his forthcoming album titled, "I was abducted by aliens and I have this to report". The album is a collection of the best tracks and remixes that he has recorded in the past two years.

www.djesp.com
www.communiquemusic.com
www.myspace.com/espwoodymcbride


TERRY MULLAN
Catalyst Recordings

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Being a fan of music sometimes means nothing else matters. This is true to life for Chicago’s Terry Mullan. His ears were alert at the right time, if house music is your thing. Right smack in the middle of the blossoming house development of Chicago during the mid 80's, at an early age, Terry was already in tune with what was actually happening.
Although his roots began in hip-hop, Terry found himself smack in the middle of the Chicago house explosion. House and Disco were styles of music that were entirely new to Terry, but the match was struck. Faithfully listening and recording the then burgeoning Chicago airwaves, his nights during middle school were filled with the finest in Chicago house. DJ's like Farley “Jackmaster” funk, Fast Eddie, Armando, & Mike "Hitman" Wilson, via 102.7 WBMX. His mix tape collection fast became a fixture within his bedroom, constantly taping the shows, studying them. Some called it simulcasted education.
Soon after the house scene was all grown up, entered the acid house sound. Here Terry really found solace. It was that added flavor he was waiting for, something new, twisted, and forward. Now all the elements were coming together. And with the addition of the Detroit sound, this was it, three different languages, disco, house, and techno. They could all translate the same message together or apart from one another. This is how Terry is like a translator. With his fluent style, these languages reflect his DJ’ing as well as the tracks he's now composing, which is his way of furthering the evolution of dance music.
For the future, Terry is going beyond just knowing his machines. This sound is put to the test on his releases on Robsoul, Definitive, Control, Funk’d, CHC, Aciiieeed and on his own imprint Catalyst Recordings. Through his label he has released projects for the likes of DJ Sneak, Ian Pooley, Tyree Cooper, Halo Varga, Mazi, Dan Curtin, Bryan Zentz, Angel Alanis, & TJR, as well as for himself under the monikers, Acid OG’s, Speakerphreaker, Tone Broke, and as Serotonin Project on Richie Hawtin and John Acquaviva’s former imprint Definitive which featured Terry’s track “Sidewinder” on the Chemical Brothers “Brother’s Gonna’ Work It Out” Mix CD. Additionally, Terry gained notoriety for his records under the alias Speakerphreaker which includes the largely successful “Products Of Our Environment” EP on Catalyst which was featured on Pete Tong’s Essential Selection on BBC Radio 1 in the UK & "La Nina/Nickel Bag Da Funk" EP on Smile which was licensed to several top DJ mix compilations. (Terry Mullan & Halo Varga collaboration).
Terry’s DJ’ing, label, and trax have earned him a reputation that extends worldwide. Never one to follow the masses, he borrowed from each genre to create what we all know to be Terry's sound, putting a bad ass twist on an otherwise conservative house scene.

www.terrymullan.com
www.myspace.com/terrymullanacidog

HYPERACTIVE
4 Track Records

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I have a very similar story as many other dj/producers from Chicago have. I was born and raised on the South Side of Chicago like a lot of the other creators and pioneers of Chicago House Music, but over time I'd become more fascinated with the techier side of our music there at the time including acid house. The house parties we went to back in the day had a different meaning than anywhere else in the world. I think you can figure it out. Just ask anyone back in Chicago back int he early 80's and they'll break it down for you. The radio programming (yes folks, commercial radio, but anything but commercial), the music production, the record stores, and the parties at that time were unparalleled. I started buying records back in the day right at the beginning when Chicago House Music was born at Imports, Loop Records, and Gramaphone hopping from store to store trying to score some white labels,and sometimes buying them straight out of people's trunks.

From Jr.High straight into College I was consumed with all facets of house music at that time. Jack, acid, etc. I was completely consumed and pre-occupied which following my third year in college I returned back to Chicago and the rest is history. I borrowed a friend's EPS sampler and 606 and started making music. More and more gear followed and the production increased. As records dropped gigs were plentiful. From corner to corner in the states my popularity and identity as an American DJ/Producer solidified. Having made it through 20+ releases on my first imprint Contact Records the coinciding releases on labels like Missile and Hybrid my demand in Europe soon followed.

In the late 90's I headed out west to California, opened Higher Source Records and Gear, started 4 Track Records, changed booking agencies and then decided to take a break. So after a long overdue break I've stepped back into rhythm and 4 Track Records is now in full motion.

www.djhyperactive.com
www.myspace.com/drumaddik

REBECCA CIAGLIA
Bloomington, IN :: Communiqué Records :: TECHNO

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THE NEGOTIATOR
HAMILTON, OH :: Lunatic Productions :: OLD SKOOL BREAKS

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SNEAKY
FT WAYNE, IN :: Bang Tech 12, ftwem.com :: MINIMAL

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DAVE OWEN
INDIANAPOLIS, IN :: Bios, Think Deep, Blu Saphir :: DRUM & BASS

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TURTLE MATT
INDIANAPOLIS, IN :: Turtle Productions :: HOUSE

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BEN WU vs. TAYLOR NORRIS
INDIANAPOLIS, IN :: Bang Tech 12 :: TECH HOUSE

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JACKOLA vs. BRYAN LUELLEN
INDIANAPOLIS, IN :: sideTrack :: TECH HOUSE

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Plus get a souvenir photo booth shot provided by GotShot.net!

10pm-3am | 21+ WITH ID
$15 DOOR, $12 ADVANCE (with NO service charge) AVAILABLE NOW at sideTrack.com.

SATURDAY, AUGUST 1, 2009

Therapy Nightclub & Lounge
605 E. Market Street, Indianapolis, IN

Brought to you by SIDETRACK ENTERTAINMENT and BANG TECH 12.

Sponsored by BUTLER SCION and NUVO NEWSWEEKLY.

Special thanks to Love Vinyl Records, My Old Kentucky Blog, Money Hoes & Clothes, Indy CD & Vinyl, GotShot.net

INDY'S BIGGEST TECHNO EVENT OF THE YEAR!!
 
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this is so ironic... I was just listening to new school fusion Vol. 1 & saw this... good job jack... this line up takes me waaaaaaaaaay back...
 
reppin' hard like the crew team @ Yale- just got off the phone w/ Doc. Brown 1.21 giga-watts back to 96' ... I had enough material in my jeans to make clothes for a whole 3rd world country
 
Havent seen Woody since he came to C-bus with Irene years ago. This will be a nice treat for Indianapolis. Props.
 
why would you do a show the same night as another full scale event within an hours drive

this is a better lineup. Not everyone is in to breaks. I'm not remotely interested in the "full scale" event.
 
why would you do a show the same night as another full scale event within an hours drive


"an hours drive" from Indy would be.... Richmond, Bloomington, Lafayette.
Dayton is more like a 2 hours drive, roughly.

Semantics aside, there are multiple answers to your question:

1: Its a Free Country. Thats why.

2: Its not your money, so why do you care how it is spent?

3: This is the Midwest, not Florida. We like Techno here. Always have, always will. I'm not dogging breaks, in fact Keith MacKenzie was @ Therapy in Indy this year already , so take that into consideration. Its the same reason Dayton folks may not want to come to Indianapolis.

4: Many folks, and by folks i mean "not kids" in Indy don't give a flying trainwreck what's going on in Ohio. They work jobs, usually two jobs. Would like to go to a bar and a have a few drinks, hear 3 great DJs that they haven't seen in the same room on the same night in about 15 years, and not have to worry about driving 2 hours home afterwards.

5: There are literally millions of people between Ohio, Kentucky, and Indiana. If one party can't get a few hundred heads through the door, don't blame the other party. Blame the promoter's inability to do their job.

6: Because to some of us a "full scale event" is more than 3 headliners and 13 regionals.

7: Because this is such a non-drama, and no one gives a shit. Once promoters start hacking each other's social networking accounts (like info-lines in the past, some of you may be too young to remember), at least then we'll have some resemblance of a scene that is worth drudging up competitive antics. But that time hasn't arrived, friend.
 
not gonna get into a back and forth thing. feel free to hit me up on a pm. good luck with this
 
why would you do a show the same night as another full scale event within an hours drive

Because it's not 1996, and hardly anyone drives to out of town events anymore when gas costs almost 3 bucks.

Also, I like to sleep in my own bed after having my head beat in by the best techno, acid and house in the world. :)
 
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