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Quote Me A Piece Of Writing That You Really, Really Love :)

La chair est triste, hélas! et j'ai lu tous les livres.
Fuir! là-bas fuir! Je sens que des oiseaux sont ivres
D'être parmi l'écume inconnue et les cieux!

Flesh is sad, alas! and I read all the books.
To run away! to flee! I feel the birds are drunk
To be amongst the unknown foam and the skies!


Stéphane Mallarmé
 
Bend down your faces, Oona and Aleel.
I gaze upon them as the swallow gazes
Upon the nest under the eave before
He wander the loud waters.

A soft liquid joy like the noise of many waters flowed over his memory and he felt in his heart the soft peace of silent spaces of fading tenuous sky above the waters, of oceanic silence, of swallows flying through the sea-dusk over the flowing waters.

A soft liquid joy flowed through the words where the soft long vowels hurtled noiselessly and fell away, lapping and flowing back and ever shaking the white bells of their waves in mute chime and mute peal, and soft low swooning cry; and he felt that the augury he had sought in the wheeling darting birds and in the pale space of sky above him had come forth from his heart like a bird from a turret, quietly and swiftly.


~James Joyce|Portrait of the Artist as a Young man
 
Alone with Everybody

the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
much
and nobody finds the
one
but keep
looking
crawling in and out
of beds.
flesh covers
the bone and the
flesh searches
for more than
flesh.

there's no chance
at all:
we are all trapped
by a singular
fate.

nobody ever finds
the one.

the city dumps fill
the junkyards fill
the madhouses fill
the hospitals fill
the graveyards fill

nothing else
fills.

- Charles Bukowski

I do like a bit of Bukowski but man is he depressing. I wanted to die reading Ham on Rye.
 
I’m waking her up for the sun
that explains itself with plants
for the sky stretched between the fingers
I’m waking her up for the words
that burn one’s throat, I’m loving her with my ears
One should go till the end of the world
and find dew on the grass
I’m waking her up for the distant things
that look like these around here
for the people who, without foreheads
and names, walk the streets
for anonymous words, squares
I’m waking her up for manufactured landscapes,
public parks
I’m waking her up for this planet of ours
that will maybe be a mine
in the bleeding sky,
for the smiles in stone,
friends fallen asleep between two battles
when the sky stopped being
a big birds’ cage but became an airport
my love full of others
is a part of the dawn that I’m waking up
I’m waking her up for the dawn, for the love,
for myself, for others
I’m waking her up although that’s more pointless
than calling a bird that has landed forever

For sure she said: let him look for me
and see that I’m gone
that woman with child hands,
the one I love
that child who has fallen asleep
without wiping the tears that I’m waking up
in vain, in vain, in vain
I’m waking her up in vain
because she will wake up
different and new,
I’m waking her up in vain
because her mouth
won’t be able to tell her
I’m waking her up in vain
you know, water flows,
but it doesn’t say anything
I’m waking her up in vain
It’s like promising, to a lost name,
someone’s face in the sand

If that’s not the way it is, cut my arms off
and turn me into stone

Branko Miljkovic (January 29, 1934, Beograd - February 12, 1961, Zagreb); committed suicide...
 
More of the same.

Bend down your faces, Oona and Aleel.
I gaze upon them as the swallow gazes
Upon the nest under the eave before
He wander the loud waters.

A soft liquid joy like the noise of many waters flowed over his memory and he felt in his heart the soft peace of silent spaces of fading tenuous sky above the waters, of oceanic silence, of swallows flying through the sea-dusk over the flowing waters.

A soft liquid joy flowed through the words where the soft long vowels hurtled noiselessly and fell away, lapping and flowing back and ever shaking the white bells of their waves in mute chime and mute peal, and soft low swooning cry; and he felt that the augury he had sought in the wheeling darting birds and in the pale space of sky above him had come forth from his heart like a bird from a turret, quietly and swiftly.


~James Joyce|Portrait of the Artist as a Young man

Yes!





(Excerpt from Naked Lunch)
William S. Burroughs


The lavatory has been locked for three hours solid…. I think they are using it for an operating room….

NURSE: “I can’t find her pulse, doctor.”

DR. BENWAY: “Maybe she got it up her snatch in a finger stall.”

NURSE: “Adrenalin, doctor?”

DR. BENWAY: “The night porter shot it all up for kicks.” He looks around and picks up one of those rubber vacuum cups at the end of a stick they use to unstop toilets…. He advances on the patient…. “Make an incision, Doctor Limpf,” he says to his appalled assistant…. “I’m going to massage the heart.”

Dr. Limpf shrugs and begins the incision. Dr. Benway washes the suction cup by swishing it around in the toilet-bowl….

NURSE: “Shouldn’t it be sterilized, doctor?”

DR. BENWAY: “Very likely but there’s no time.” He sits on the suction cup like a cane seat watching his assistant make the incision…. “You young squirts couldn’t lance a pimple without an electric vibrating scalpel with automatic drain and suture…. Soon we’ll be operating by remote control on patients we never see…. We’ll be nothing but button pushers. All the skill is going out of surgery…. All the know-how and make-do… Did I ever tell you about the time I performed an appendectomy with a rusty sardine can? And once I was caught short without instrument one and removed a uterine tumor with my teeth. That was in the Upper Effendi, and besides…”

DR. LIMPF: “The incision is ready, doctor.”

Dr. Benway forces the cup into the incision and works it up and down. Blood spurts all over the doctors, the nurse and the wall…. The cup makes a horrible sucking sound.

NURSE: “I think she’s gone, doctor.”

DR. BENWAY: “Well, it’s all in the day’s work.” He walks across the room to a medicine cabinet…. “Some fucking drug addict has cut my cocaine with Saniflush! Nurse! Send the boy out to fill this RX on the double!”

_

Dr. Benway is operating in an auditorium filled with students: “Now, boys, you won’t see this operation performed very often and there’s a reason for that…. You see it has absolutely no medical value. No one knows what the purpose of it originally was or if it had a purpose at all. Personally I think it was a pure artistic creation from the beginning.

“Just as a bull fighter with his skill and knowledge extricates himself from danger he has himself invoked, so in this operation the surgeon deliberately endangers his patient, and then, with incredible speed and celerity, rescues him from death at the last possible split second…. Did any of you ever see Dr. Tetrazzini perform? I say perform advisedly because his operations were performances. He would start by throwing a scalpel across the room into the patient and then make his entrance like a ballet dancer. His speed was incredible: ‘I don’t give them time to die,’ he would say. Tumors put him in a frenzy of rage. ‘Fucking undisciplined cells!’ he would snarl, advancing on the tumor like a knife-fighter.”

A young man leaps down into the operating theatre and, whipping out a scalpel, advances on the patient.

DR. BENWAY: “An espontaneo! Stop him before he guts my patient!”

(Espontaneo is a bull-fighting term for a member of the audience who leaps down into the ring, pulls out a concealed cape and attempts a few passes with the bull before he is dragged out of the ring.)

The orderlies scuffle with the espontaneo, who is finally ejected from the hall. The anesthetist takes advantage of the confusion to pry a large gold filling from the patient’s mouth….


Naked Lunch was originally published in 1959 by Olympia Press in Paris. The first printing in July 1959 consisted of 5,000 copies, and a second printing of 5,000 copies was done shortly thereafter. The first printing is distinguished by a green ornament border on the title page. Later printings also lacked the dust jacket. (Maynard & Miles A2)
 
“The best thing for being sad," replied Merlin, beginning to puff and blow, "is to learn something. That's the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.”
― T.H. White, The Once and Future King

<3

...kytnism...:|
 
‎"I closed my eyes and listened to the waves. Thousands of fish out there, eating each other. Endless mouths and assholes swallowing and shitting. The whole earth was nothing but mouths and assholes swallowing and shitting, and fucking." - From Ham on Rye, Bukowski.
 
Not Getting Closer
-Jack Gilbert

Walking in the dark streets of Seoul
under the almost full moon.
Lost for the last two hours.
Finishing a loaf of bread
and worried about the curfew.
I have not spoken for three days
and I am thinking, “Why not just
settle for love? Why not just
settle for love instead?”
 
From Tim O'Brien's Going After Cacciato, which I'm overdue to re-read.

Above him, he saw the blond-headed lieutenant standing alone and watching. "If we fight well," Sidney Martin had said before the march, "fewer men will be killed than if we fight poorly." Private First Class Paul Berlin had not analyzed that statement, but he knew it was both true and dangerous. He knew he would not fight well. He had no love of mission, no love strong enough to make himself fight well, and, though he wanted now to stop, he was amazed at the way his legs kept moving beneath him. Paul Berlin, who had no desire to confront death until he was old and feeble, and who believed firmly that he could not survive a true battle in the mountains, marched up the road knowing he would not fight well, knowing it certainly, but still climbing, one step then the next, climbing, seeing each thing separately, a wildflower with white blossoms, a pebble rolling, always climbing, as if drawn along by some physical force--inertia or herd affinity or magnetic attraction.
 
Out of the ditchwater,
tall, wild Iris
emerge from grey mud.

Inside a sleep for aeons,
I drifted to the edge of all this.
A voice trailed off.

Beautiful, wild Iris
grow tall in still water.

- Sri Ramana
 
Now

Now I see it: a few years
To play around while being
Bossed around

By the taller ones, the ones
With the money
And more muscle, however

Tender or indifferent
They might be at being
Parents; then off to school

And the years of struggle
With authority while learning
Violent gobs of things one didn't

Want to know, with a few tender
And tough teachers thrown in
Who taught what one wanted

And needed to know; then time
To go out and make one's own
Money (on the day or in

The night-shift), playing around
A little longer ("Seed-time,"
"Salad days") with some

Young "discretionary income"
Before procreation (which
Brings one quickly, too quickly,

Into play with some variation
Of settling down); then,
Most often for most, the despised

Job (though some work their way
Around this with work of real
Delight, life's work, with the deepest

Pleasures of mastery); then years
Spent, forgotten, in the middle decades
Of repair, creation, money

Gathered and spent making the family
Happen, as one's own children busily
Work their way into and through

The cycle themselves,
Comic and tragic to see, with some
Fine moments playing with them;

Then, through no inherent virtue
Of one's own, but only because
The oldest ones are busy falling

Off the edge of the planet,
The years of governing,
Of being the dreaded authority

One's self; then the recognition
(Often requiring a stiff drink) that it
Will all soon be ending for one's self,

But not before Alzheimer's comes
For some, as Alzheimer's comes
For my father-in-law now (who

Has forgotten not only who
Shakespeare is but that he taught
Shakespeare for thirty years,

And who sings and dances amidst
The forgotten in the place
To which he's been taken); then

An ever-deepening sense of time
And how the end might really happen,
To really submit, bend, and go

(Raging against that night is really
An adolescent's idiot game).
Time soon to take my place

In the long line of my ancestors
(Whose names I mostly never knew
Or have recently forgotten)

Who took their place, spirit poised
In mature humility (or as jackasses
Braying against the inevitable)

Before me, having been moved
By time through time, having done
The time and their times.

"Nearer my god to thee" I sing
On the deck of my personal Titanic,
An agnostic vessel in the mind.

Born alone, die alone—and sad, though
Vastly accompanied, to see
The sadness in the loved ones

To be left behind, and one more
Moment of wondering what,
If anything, comes next. . .

Never to have been completely
Certain what I was doing
Alive, but having stayed aloft

Amidst an almost sinister doubt.
I say to my children
Don't be afraid, be buoyed

—In its void the world is always
Falling apart, entropy its law
—I tell them those who build

And master are the ones invariably
Merry: Give and take quarter,
Create good meals within the slaughter,

A place for repose and laughter
In the consoling beds of being tender,
I tell them now, my son, my daughter.

-Liam Rector
 
“Are you telling me my entire life has been a dream?"
"Not your life, Greg, your past."
"Is there a distincition?"
"Of course there is. In a very real sense, everyone's past is a dream; the past isn't a real thing you can reach back and touch; it's just something in your head. Your life, which is what's going on here and now at this table, is as real as anyone's...”
― Daniel Quinn


______________________


"What is good Phaedrus, and what is not? Need we anyone to tell us these things?"

opening quote

I would like not to cut any new channels of consciousness but simply dig deeper into old ones that have become silted in with the debris of thoughts grown stale and platitudes too often repeated. "What's new?" is an interesting and broadening eternal question, but one which, if pursued exclusively, results only in an endless parade of trivia and fashion, the silt of tomorrow. I would like, instead, to be concerned with the question "What is best?," a question which cuts deeply rather than broadly, a question whose answers tend to move the silt downstream. There are eras of human history in which the channels of thought have been too deeply cut and no change was possible, and nothing new ever happened, and "best" was a matter of dogma, but that is not the situation now. Now the stream of our common consciousness seems to be obliterating its own banks, losing its central direction and purpose, flooding the lowlands, disconnecting and isolating the highlands and to no particular purpose other than the wasteful fulfillment of its own internal momentum. Some channel deepening seems called for.

-Robert Pirsig. Zen and the Art of Motorcycle Maintenance.
 
Outside the curtains the rain goes splash, splash;
Spring's mood languishes;
My silken coverlet suffices not for the chill of the dawn.
In my dream I knew not I was in exile,
And for one moment I indulged in pleasures.

Alone at dusk I can lean on the balcony
Boundless are the rivers and mountains.
The time of parting is easy, the time of reunion is hard,
Flowing water, falling petals, all reach their homes.
Sky is above, but man has his place.

Li Yu - Thinking of the Past [To Wave Washed Sands]
 
Wow. Would love to read more of Li Yu's work. Thanks pip.

Ash. <3
 
yeah, each time i read that i like it more.
" The time of parting is easy, the time of reunion is hard "

______________
Li Yu - Grief For A Loved One [Two Crows cawing at night]

Wordless alone I climb the Western Tower;
The moon is like a hook;
In the solitude of Wu-t'ung trees in the deep courtyard
are locked by cool Autumn.

That which scissors can not severe,
And, sorted out, is tangled again,
Is the sorrow of separation,
With a flavor all its own for the heart.

_________
Li Yu - Grief for a Loved One[To - Pounding silk floss]

The deep hall is silent,
The little courtyard is deserted.
Off and on go the tapa on the cold slabs; of and on
goes the wind.
Unendurable is the nights length and a mans
wakefulness.
As a few sounds in the moonlight pierce the screened
casements.

_____
those are the only three i have seen.


<3
 
Gormenghast.
Withdrawn and ruinous it broods in umbra: the immemorial masonry: the towers, the tracts. Is all corroding? No. Through an avenue of spires a zephyr floats; a bird whistles; a freshet beats away from a choked river. Deep in a fist of stone a doll's hand wriggles, warm rebellious on the frozen palm. A shadow shifts its length. A spider stirs...
And darkness winds between the characters.

- Mervyn Peake

In this decayed hole among the mountains
In the faint moonlight, the grass is singing
Over the tumbled graves, about the chapel
There is the empty chapel, only the wind’s home.
It has no windows, and the door swings,
Dry bones can harm no one.
Only a cock stood on the roof-tree
Co co rico co co rico
In a flash of lightning. Then a damp gust
Bringing rain
Ganga was sunken, and the limp leaves
Waited for rain, while the black clouds
Gathered far distant, over Himavant.
The jungle crouched, humped in silence.
Then spoke the thunder
DA
Datta: what have we given?

- T.S. Eliot
 
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Understand Old One

What if you came back now
To our new world, the city roaring
There on the old peaceful camping place
Of your red fires along the quiet water,
How you would wonder
At towering stone gunyas high in air
Immense, incredible;
Planes in the sky over, swarms of cars
Like things frantic in flight.



Municipal Gum

Gumtree in the city street,
Hard bitumen around your feet,
Rather you should be
In the cool world of leafy forest halls
And wild bird calls
Here you seems to me
Like that poor cart-horse
Castrated, broken, a thing wronged,
Strapped and buckled, its hell prolonged,
Whose hung head and listless mien express
Its hopelessness.
Municipal gum, it is dolorous
To see you thus
Set in your black grass of bitumen--
O fellow citizen,
What have they done to us?

- Oodgeroo Noonuccal
 
Outside the curtains the rain goes splash, splash;
Spring's mood languishes;
My silken coverlet suffices not for the chill of the dawn.
In my dream I knew not I was in exile,
And for one moment I indulged in pleasures.

Alone at dusk I can lean on the balcony
Boundless are the rivers and mountains.
The time of parting is easy, the time of reunion is hard,
Flowing water, falling petals, all reach their homes.
Sky is above, but man has his place.

Li Yu - Thinking of the Past [To Wave Washed Sands]
 
Drive fast on empty streets with nothing in mind except falling in love and not getting arrested.

HST
 
“My concept of death for a long time was to come down that mountain road at 120 and just keep going straight right there, burst out through the barrier and hang out above all that…and there I’d be, sitting in the front seat, stark naked, with a case of whiskey next to me and a case of dynamite in the trunk…honking the horn, and the lights on, and just sit there in space for an instant, a human bomb, and fall down into that mess of steel mills. It’d be a tremendous goddamn explosion. No pain. No one would get hurt. I’m pretty sure, unless they’ve changed the highway, that launching place is still there. As soon as I get home, I ought to take the drive just to check it out.” (February 16, 2005) written 4 days before he committed suicide.”
— Hunter S. Thompson


...


Note to self:

Acquire more dynamite.
 
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