Originally Posted by IcebergSlim
Salo or the 120 Days of Sodom
'salo' is the most 'disturbing' film i have seen.
its my 'favorite weird film' because it was a very powerful experience watching it, a real 'eye opener'.
its hard for me to put into words... i am a big fan of horror movies and after watching 'salo' it made me realize something about the dark nature of humans and the innate capacity of evil we possess. by not 'sugar-coating' any of the scenes of 'torture, murder, rape, etc' in 'salo' the director reminds us that acts of violence should not be entertainment as they are in 'most' horror movies i enjoy, and reminds me how desensitized i am to violence be it in movies, or the news in real life.
the director accomplishes this fact extremely effectively in the final scene were the victims are being tortured and murdered while the captors take turns as a voyeur from inside the mansion and we watch with them through the view of their binoculars. the film attempts to equate our viewing of this film to their viewing of the executions, after all, we're watching these acts for 'entertainment', just as he is. and we distance ourselves from the acts in order to enjoy them, as he does by watching through binoculars far away. it's a savage and truthful attack, one that is impossible to deny.
a couple other reasons its my favorite is for being released in 1975 the director didn't give a fuck about being 'controversial' i respect him for going all out and possibly risking his life to stay true to his vision, as he was killed shortly before the film was released.
and LAST (finally) i put it in the 'weird' category because anyone watching this will be thinking 'WHAT THE FUCK' during its scenes of homosexual acts, or a feast on human shit, or its fucked up 'wedding' scene with the 4 male captors dressing up as women, it is very fucking weird!
and to anyone who hasn't seen it and decides to watch it, don't expect to have much of an appetite when its over.
the end
I watched this last night for the first time. It's a pretty good movie, with the whole fascist overtone thing. It was actually pretty disturbing, but I think he could have gotten his point across more subtely, with less violence and with better cinematography.
Implied violence can be more disturbing than actual violence, as it never fully manifest itself in a tangible way. Once actual violence is there, it can be measured and broken down. I'd rather a film with such heavy messages allow the most disturbing aspects to play out offscreen in the viewer's mind, but I suppose that to get general audiences uncomfortable and introspective he had to go for the overt disturbing things. Which is part of the whole package, I guess, and it's the director's choice. I just think he took the easy way out in this regard, regardless of what the rules of acceptability were back then.
In my opinion the elements that
should have been the most disturbing were the characters. In this respect Salo fell short. I think that one of the themes of this film may have been the helplessness of a nation of poor people ruled by leaders who may or may not have sinister motives. In other words, the animal fear of never knowing what these apparent human beings have in store for you next, the key word being human because they walk, talk, smile, and act like humans as opposed to the typical robot-like bad guys that typically personify "evil." The director almost got this part right with the bad guys, but I think the "Signoras" could have had more clever outfits and make-up jobs. They simply weren't compelling and disturbing enough. The men, on the other hand, were pretty good, with the one aristocrat playing favorites with one of the male slaves in order to gain a sort of trust before eventually just cutting one of his eyes out after a brief flirt. This particular relationship (not the violence part) in the film personified what I think the film should have had more of.
It would have been much more disturbing to see the relationships between the Signoras and the captured girls. One thing that stood out in this film was how order in the house was maintained with relatively little force. People were sneaking out at night to fuck, everyone had a bed and pillow, there was a lot of down time. Seeing the Signoras manipulate the girls into feeling safe would have been nice, although in the film these tactics were only implied because I think it would have been more difficult to create that kind of atmosphere successfully.
There were some definite quotables in this film, very disturbing dialogue in general, but I think that this rabbit-hole should have been followed deeper instead of replaced by wanton and often anti-climactic scenes of violence.