Pointing out the majority demographic at an event that claims to be "radically inclusive" isn't a social justice thing.
Apart from the issues of ticket price, which obviously is a disparate impact across class lines, I don't really see how they aren't "inclusive." or why it matters. Yes, festivals are primarily a whiteboy's thing but what of it? There are cultural events that cater to various ethnicities, explicitly or implicitly. Nothing wrong with that. My anti-SJW snark was mostly promp53e at the "straight, cissexual" thing, I mean in actuality aren't there a lot of homosexuals and gender bending types, granted, ones with money, that attend this sort of thing? Are you saying there is overt or even covert anti-homosexual sentiment at these things? I just don't get shoehorning people's sexual predilictions into the discussion. At all.
And yes I know about "intersectionality, kyriarchy," etc. I make it a point to read my ideological opponents.
Now on the other hand traditional hippie types, people who go to Grateful Dead-ish things, I mean people who are really into that lifestyle,
do IME, and in my case, tend to have somewhat more conservative practices, if not openly expressed ideas, as regards gender roles, etc. than one might imagine.
Foreigner said:
I'm not just talking about drugs, but the sheer amount of infrastructure and resource that go into making this brief event happen. Ground crew services, security services, medical services, marketing, networking, databases for ticket holders, volunteer staff, cleanup crews, all of whom are employed with paychecks. It's mind boggling. Huge events like this where people go to explore a more socialist ethos are only able to do so because of the underlying resources of capitalism which permit the event to exist whatsoever. Not to mention, the huge props and theme camps brought into the festival are all sourced from capitalist consumerism. I mean, where in a socialist world would people be able to bring a mini cruise ship into a festival? I mean, I get that some of these projects and theme camps are communal resourced, by donations and what not... but behind every modern socialist commune or pipe dream is someone with money who is still tied to the system. I've seen it a million times.
Well, obviously ... big events like this require a lot of infrastructure as you say, and the bullshit idealism sells tickets, not to mention drugs, so why wouldn't people endorse it? Just like advertising of any kind, really. And again,
panem et circenses,
pharma et musica. Now, not being a socialist, your critique isn't particularly moving to me, but I guess I get how it works from that ideological framework. But in your idealized socialist utopia, would there not be events like this, rather, we'd just spontaneously hold hands and dance off into the sunset with a voluntary DJ and a voluntary harm reduction booth and free water and food, and yeah, drugs? I don't mean to come off nearly as snarky as that sounds, it's an honest question.
Foreigner said:
If the Burning Man culture became the global reality, most people would live in scarcity under revised notions of "freedom", while a select few would hold all the capital. Because, you know, nobody could be trusted to keep the world socialist and radically inclusive but them.
Oh, you and I are totally in agreement that Burning Man becoming a global reality would be a horrifying thing, a veritable dystopia, but probably for rather different reasons.
Foreigner said:
There are so many festivals out there every year but I believe BM deserves the most critique because it's pretending to be something it's not, and propping up the privileged class in the process.
If you remove the thing about the priveliged class, which I think is really overwrought, I mean it's just some get-together for bourgeois weekend hippies, Trustafarians, and Silicon Valley techno-utopian-libertarian info-oligarchs, whatever, it's not like it's posing to conquer the world or anything. Or maybe it's on it's way to becoming the next Bohemian Grove. Who knows? But yeah, Burning Man and Silicon Valley. The apotheosis of two unbelievably annoying scenes. I'm with you there.