dyscotopia said:
physix: perplexing title. good track. are the voice samples reversed? i like the way the sounds are slightly dissonant and it's got a very funky low-end, though i think your description is probably too technical for anyone other than other producers. anyways, that's way more on my tip than a lot of the bl productions i've heard recently. i'd go off in a club or party to that. it's still pretty stripped down but even so, i could have listened for a few more minutes. very sweet, even though i'm sure you spent a lot of time on that, it never sounds labored. nice to see that we've got a moderator with mad skillz...
Geez, I'm lame. I post these and then don't ever check back.
If you like
Good Girls Good Game, then I think you'll
really appreciate
Big Booty Bareback ... they were made
concurrently with some of the same techniques. This one was
picked up by Fairparks and I'm hoping Select will grab
Good Girls
Good Game... we'll see.
and you might even like
Don't h8 Me 'cuz I'm Bootiful!
I try and get technical as possible in the descriptions b-c ACIDPLANET
is SUPPOSED to be a tool for producers to learn and shit. but no one
ever says HOW they did some things. So, when I tinik of something
new (at least, new to me) then I like to sort of explain as much as
possible what I actually did.
Kurt, might I recommend, when sampling a track, that you experiment
a bit with their placement. What I mean by that is... since you make
your beats in Reason ... and you ReCycle those samples... once you
have the REX file, simply make another ReDrum and load the individual
slices into each drum pad of the ReDrum. Then, simply program away,
changing patterns and seeing what you come up with. Once you
come up with 3 or 4 dif't patterns, export the loop so that you can
run it thru the REX Player or sampler and then utilize their filters
and automations and go crazy with it!
I used to do the ACID-Soundfroge-ACID thing exclusively. When I
experimented with the above set up, it opened up my processing
a bit more. Made for some sick variants. Using that technique,
you could sample some of the most familiar beats and phrases and
no one would be the wiser.
Even if you still want your final sequencing in ACID (and who
wouldn't -- it's brilliant!), try this technique at least once.
and seriously, dyscotopia, thanks for the praise!