• LAVA Moderator: Shinji Ikari

why paying for movies/games/audios?

ike...um...dude, its not the artists that even have any say in pricing or marketing....it's the record labels. corpor-fucking-rations. you are paying for a massive marketing machine that has nothing to with art. most artist see very very little of the PROFITS made from their art. musicans usually don't even own the rights to their own "art". ask any musican who been around and they will tell you that the whole industy is fixed to exploit the musician. to get a record out you virtually have to sign everything away. and once you do, they fucking own your ass. even the big, big stars get absolutely fucked by the labels. signing a record contract is akin to slavery. FACT.

are you a musician? are you in the industry? do you accept that there are other 'music industries' aside from the commercial pop-rock-cheese machine?

you should rethink everything you know. it sounds great, but the whole foundation of what you believe is flawed.

have you actually ever looked at many record contracts? or is this all conjecture?

it's really not even worth discussing at this point. nothing you say can EVER convince me you are right, and i'm not going to waste my time trying to MAKE someone believe what i believe. and i'm sure you feel the same way. maybe we should start a war?

that's good to know, but hardly conducive to an adult conversation :)
 
i think this is one of aspects of this debate which irks me the most. because they are not a potential sale, they're somehow entitled to the product free?

It's not about 'entitlement'.. it's about reality. If the item wouldn't have been sold int he first place, it's not a loss to the creator of the work.

i think there's a lot of mistruth here too - many people, when challenged, roll out this argument. in reality, they actually are a potential sale, they just don't have the balls to admit it and this is a convenient excuse to hide behind. ymmv.

It's probably hard for most people to say what they would have paid for and what they wouldn't have when they got it all for free, especially when it comes to something like music, where often times had they not obtained the music for free they might never have listened to it and thus never have felt it was valuable.

Of course there are times when a person would buy the CD if they couldn't get it online. I doub't anyone would deny that. But when you can get anything for free, chances are the vast majority of it you would never had paid for in the first place :D
 
anhalonium9 said:
nothing you say can EVER convince me you are right, and i'm not going to waste my time trying to MAKE someone believe what i believe.
why bother even taking part in the discussion then? why should anybody listen to you?
anhalonium9 said:
and i'm sure you feel the same way.
you're quite mistaken. i've been proved wrong and changed my perspective on things by convincing arguments here.

alasdair
 
Akoto said:
I tend to agree.

I could either walk 30 min to the mall, pay $20 of my hard earned money to a bloated record lable, and walk back just to listne to that one song good on the whole damn CD, OR I can open limewire and have that same song in better quality, in a more useful format, and not have to load the CD ever for a total of 1 min of my life and zero dollars.

Not the mention the fact that most of the bands I listne to are either dead or retired and have enough damn money already, and the fact that music today blows more ass then any other time period in the history of man. (I swear there is a band assembly line somewhere in the heart if Utah pumping out song after song of the same whiney bullshit you see on MTV every second of every day.)

btw most of that money goes to the record company. why should i make the record company any richer? but i still buy original albums of the bands that i like a lot just out of respect for the band.. and for the enlarging my collection
 
fair enuff. sorry, i never really flamed this hard before. i really love everyone on BL. i stand by everything i said though. i may have gone a little overboard. it was wrong to group all music as corporate. that wasn't my intention. i realize there are alot of musicians out there who are trying there best and just barely getting by. trust me, i know. i live in a city with a large live music scene, and for the most part, nobodies getting rich. in fact i would say that almost half my friends are musicians. really. my best friend from high school who i just got back in touch w after 15 years...he's a musician and has like 3 bands and a bunch of recordings on small indie labels. he has to work to pay the bills. (he's got a sweet job at pandora though) and yes, i do produce a little electronic music from time to time. i think i said the right thing in the wrong way. i've been up for days and i got a little carried away.8o

the grateful dead tried to distribute their own records on thier own label in 1976. it failed. they were successful in marketing direct to there audience almost everything else after that. they also allowed their audience to freely trade live recording, which was, and still is a big no no in the industry for the very things that we've been discussing. i was part of the dead scene towards the end and had the oppurtunity to observe what things were like behind the stage. as they grew more successful, despite how cool and anti-establishment they thought themselves to be, they started suffering from the same problems as corporate rock. it became a money thing, and the organization was starting to be running like big busisnesses do. and they couldn't stop cause there were too many ppl (family) depending the scene to make a living. just a little history.

trent reznor took on tvt b/c of the restriction on his freedom of expression, he said. after a bitter battle he was successful at setting up his own label (nothing) with artist he wanted to foster. the nothing label has since been abandoned essentially.

i think there are more imporant issues that we can all work on though and maybe this debate will ignite some of those fires.

----------------------------------------------------------------------------------------------



The most descriptive label for those of this ideological persuasion is corporate libertarian, because whatever they call themselves, the "free" market, "free" trade policies they advocate do not free trade, markets, or people. Rather they free global corporations to plan and organize the world's economic affairs to the benefit of their bottom line, without regard to public consequences.

THE CORPORATE LIBERTARIAN ALLIANCE

Three major constituencies have joined in a powerful political alliance to advance the ideological agenda of corporate libertarianism with a dogmatic fervor normally associated with religious crusades.

Neoliberal Economists. Neoliberal economists embrace two first principles as fundamental articles of faith. One is that individuals are motivated solely by self-interest. The other is that individual choice based on the unrestrained pursuit of self-interest leads to socially optimal outcomes. [See The Betrayal of Adam Smith.] Neoliberal economists provide corporate libertarianism with a patina of intellectual legitimacy.

Property Rights Advocates. Ardent property rights advocates, sometimes called "market liberals," commonly present themselves as libertarians dedicated to the defense of individual rights and freedoms. While true libertarians seek to defend individual freedom against intrusion from coercive institutions of any kind, market liberals are mostly concerned with protecting the rights from property from public accountability. Those without property have no rights that the market liberal is bound to respect. Market liberals give corporate libertarianism its cast of moral legitimacy.

Corporations and Members of the Corporate Class. Corporations and members of the corporate class--such as corporate managers, lawyers, consultants, public-relations specialists, financial brokers, and wealthy investors--comprise the third pillar of the corporate libertarian alliance. Some are drawn to corporate libertarianism purely by financial self-interest or because they are paid to do so, others by moral conviction. Although few members of the corporate class have a serious interest in the fine points of academic theories or moral philosophy, they find a natural common cause with those who provide an intellectual and ethical case for freeing corporations from the restraining hand of government and absolving them of moral responsibility for the social and environmental consequences of their actions. Furthermore, they have the financial resources at their disposal to handsomely reward those who legitimate their power.

This combination of economic theory, moral philosophy, and elite political interest makes for a powerful alliance. Yet in many ways it has served even its own members poorly, as its corrupting influence has not been limited to the broader society. It has led neoliberal economists to seriously debase the integrity and social utility of economics by reducing it to a system of ideological indoctrination that violates its own theoretical foundations and is deeply at odds with reality. It has similarly engaged libertarians in a cause that violates their own commitment to individual freedom, as corporations infringe on the property rights of real people and use their growing power to suppress the individual freedoms of all but society's wealthiest members. The enormous political success of the alliance in shielding corporations from public accountability has create a monster that even the members of the corporate class no longer control and is creating a world that they would scarcely wish to bequeath to their children.

THE MORAL JUSTIFICATION OF INJUSTICE

The moral philosophers of market liberalism perpetrate a serious distortion by neglecting the distinction between the rights of property and the rights of people. Indeed, they equate the freedom and rights of individuals with market freedom and property rights. The freedom of the market is the freedom of those with money. When rights are a function of property rather than personhood, only those with property have rights.

It is a basic premise of democracy that each individual has equal rights before the law and an equal voice in political affairs--one person, one vote. We can rightfully look to the market as a democratic arbiter of rights and preferences only to the extent that money and property are equitably distributed. Although a market can allocate efficiently with less than complete equality, when 358 billionaires enjoy a combined net worth of $760 billion--equal to the net worth of the poorest 2.5 billion of the world's people--the market is neither just nor efficient and it loses all legitimacy as a democratic institution.


from http://www.pcdf.org/

discuss....
 
to those who claim they steal music to stick it to the record companies and not the artist, have you donated an appropriate amount of money to the artist, thus ensuring that the record company gets stiffed but the artist gets paid?

if so, tell more. if not, why not?

alasdair
 
dr seuss said:
but tell me this - how do you buy food? or are you not a full-time artist?

no im not a fulltime artist. if i was, i couldnt afford to support myself.
i certainly didn't get into music for the glamour, i got into it for the love of music. perhaps that's why i'm so passionate about independent record labels and local talent ;) but regardless - you need to read what i said earlier. are you suggesting that the only way a musician should ever make money is from live shows? in which case, how are all the rest of the people involved in recording music going to get paid?
this is the trick, this is why not everyone can just make money from the industry. i dont think the marketplace is fair... it isnt supposed to be.

when you choose a career in the fine arts, expect a tough life.


and furthermore, there's a hole in your argument. if art is a higher entity, then, erm, how can anyone have a 'career' in it? shouldn't it all be free all the time - or is there a special set of circumstances under which art can be a commodity? :)
personally, i think if you are making art in order to make money then you are making art for the wrong reasons. be this visual/musical/verbal... if you are making it for money and not for the love of the art, youve got a problem & wont be successful anyway.

i think the viscious cut-throat world of professional art & the hostile environment is a good thing. it weeds out the slackers.

anyhoos - the fact remains that what we feel about the sanctity of art is irrelevant at the moment. i mean, if you REALLY believe art should be free, how come you don't have a room full of Gaugin and Dali originals? do you steal CDs from shops? have you ever walked into the Guggenheim and helped yourself?

no? i guessed not.

because the world doesn't work that way right now. there are free collectivist art happenings, and like i said - the VAST MAJORITY of musicians have put far, far, far more into their art than they'll ever get out of it.
but maybe i would have taken a flash photograph of a work at the guggenheim before they figured out that flash photography damaged the paintings....

my point is that the industry is always evolving... for beethoven, the idea of recorded music was unheardof! but that didnt stop him from excelling in the genre... fast forward 300 years. things have changed. now music is a MONEY MAKER, something that appeals to the masses. why is THIS change from making NO money into a rock-star culture lauded? the industry continues to change, but its fought SOOOO intensely...the genre of art isnt even done evolving... its just coming full-circle as an art-form.

does that make sense?

can i ask - what do you use to make your art? how much does it cost? and how much are you willing to spend on it?
sculpture. i know how expensive supplies can get.


it's not fair. it's not fair to the record labels who are closing. it's not fair to the artists who are working two jobs. it's not fair to the distributors who are going broke. justify it to yourself however you want, but it doesn't change those facts :)
who said the art world was fair? in fact, where did you even get it in your head that the REAL world was fair?
 
i think it's unreasonable to think that ppl are gonna spontaniously donate money to help artists who are stuck in bad deals. why not insistute a socialist type social service where all artist are put on a monthly dole. it will never happen. but if we can all agree that the way things are now are not right, and they've been getting to this point for a while now, maybe we could institute new models that do work, and serve the right ppl. i've already illustrated what i believe is the larger problem (see the quoted text in 2nd part of my last post).

bram cohen, the inventor of bittorrent technology, still maintains that bittorrent was originally developed as a publishing and distribution tool. if the record label were smart, they would pusue this brilliant, bandwidth saving technology. the ability to send and recieve a file at the same time to multiple peers, assign priority to diffent blocks and pieces, customize the upload the upload and download bandwith of any given file, trackerless trackers, and DHT, etc is amazing when its really working properly. sometimes i just sit there and watch the bandwidth ebb and flow (note, my idiot roommate just yelled into my room, totally fucking interrupting my thoughts,accusing me of using all the bandwidth and causing his computer to go slow. what an idiot. i'm use zero. nothing. up or down. i don't even think he really even know what bandwidth even means. why are ppl always blaming all their fucking problems on me. i keep to myself, stay in my room, i know exactly what i'm doing and how much i'm using at any time, i've done my homework, and this moron just blatantly goes around blasting his subwoofer thru shared walls at 5 am !!! and banging and slamming doors at all times with no regard for anyone else, and then he has the nerve to fucking disturb me even more to accuse me of something he knows nothing about, based on his own ignorance. how hard is to actually ...never mind....wikipedia...use it....a weapon against ignorance) sorry. trying not to let it get to me....but BT is a beatiful system and podcasters and the such are already starting to use it to self publish and distribute. the film about bittorrent, called steal this film was released exclusively thru BT, and this distribution has been successful as the film as reached across the internet by word of mouth. so there are ways to bypass labels legiamately, and it's not just a piracy platform. it is, however, being used that way by most ppl, b/c the content providers have not even started to embrace it. i keep hearing about film companies releasing films on-line for pay thru BT, but still nothing. this is like napster before itunes came to prominence. i hear a lot of ppl whining and complaining about how this is wrong and causing such and such damage, but i have never seen any evidence. and the riaa going after little 13 year girls for downloading compressed mp3 which are inferior to the product sold in the store (not an exact copy even) and forcing these citizens to go bankrupt nearly, just b/c wanna scare ppl. that's terrorist tactics. it shows me just what the riaa has become and the interests that they serve. that is why they must be eliminated and a new structure must be built in its place. one which embraces and understands that limiting the freeflow of information at this point in history is a giant step backward and will harm everyones interest in the long run. IMHO
 
dr seuss said:
sharing is stealing if it's not yours to share.

unless of course you don't mind me sharing your paycheck with alasdairm :)

that's a great idea.

i will be distributing my paycheck between myself, alasdairm, and dr. seuss from now on. everyones net take....33.3% of zero.

and thats all pure profit. share the wealth.
 
anhalonium9 said:
i think it's unreasonable to think that ppl are gonna spontaniously donate money to help artists who are stuck in bad deals.
right - because, again, i propose a lot of people just pay lip service with their "i steal music to stick it to the man not the artist" excuses when, in reality, they don't give a shit about anybody but themselves and their free copy of some cd...

alasdair
 
Copyright creates an artificial scarcity of product that only exists in your head and on paper. Copyright law is completely immoral in my opinion.

When I download an album, I haven't stolen anything from the artist. If I photocopy a magazine article, I haven't stolen anything from the journalist.

I don't give a shit if musicians lose their livelihoods due to downloading of music. If this is actually happening, why don't they learn to make full use of capitalism and entrepeneurship and find a way to make money while creating art that doesn't rely on artificial scarcity?

My right to copy 0's and 1's freely is as sacred to me as my right to have sex with a willing partner or ingest drugs or hike a mountain. I don't harm you when I copy information, I gain something and you lose nothing. Just because the current system in place allows you to have law enforcement and the judicial system impose your warped sense of artificial scarcity upon me, doesn't mean that's ethical.

Get a job you lazy rock stars and rappers. If you can make millions by selling concert tickets, merchandise, and promoting products in advertising, I applaud you and respect you. If you can't feed your family because people are downloading your music, and you haven't figured out any way to make money other than using copyright law, then you're probably a dumbass and I don't feel all that bad about listening to your music without paying you for the privilege.
 
wesmdow, I couldn't agree more with everything you said in this thread. :)
 
I'm not fucking someone over by not giving them my money. I think it's disgusting that people can be sued by companies for things like loss of potential income, corporate executives can be fired for things like loss of potential profits, people can be jailed for things like potential consequences of actions, and so on. These potentials don't exist until they become realized. They're considered potentials for a reason - they don't exist yet. For me to tip the probabilistic scales in favor of the potential not becoming realized is not causing you any harm. For you to punish me for tipping the scale against your favor, is a grave injustice.
 
Coolio said:
When I download an album, I haven't stolen anything from the artist.
what's your definition of stealing?

one pretty straightforward definition is "taking without permission". by that definition, you're stealing. is stealing only stealing if you physically deprive somebody of something?

Coolio said:
I don't give a shit if musicians lose their livelihoods due to downloading of music.
you're the first person in the thread to state your reasons so honestly.

Coolio said:
My right to copy 0's and 1's freely...
what makes you feel you have any such 'right'?

Coolio said:
Get a job you lazy rock stars and rappers. If you can make millions by selling concert tickets, merchandise, and promoting products in advertising, I applaud you and respect you. If you can't feed your family because people are downloading your music, and you haven't figured out any way to make money other than using copyright law, then you're probably a dumbass and I don't feel all that bad about listening to your music without paying you for the privilege.
that's an elaborate false dilemma which, while it might help you sleep at night, doesn't really stand up to scrutiny. there's a great deal of discussion in the other thread to which i linked which puts your comments here in a different light.

but, i suspect you're not really listening...

:\

alasdair
 
^pithy! (Meant for SillyAlien)

Scarcity? I have never had a problem legally acquiring music.

Coolio said:
Get a job you lazy rock stars and rappers. If you can make millions by selling concert tickets, merchandise, and promoting products in advertising, I applaud you and respect you. If you can't feed your family because people are downloading your music, and you haven't figured out any way to make money other than using copyright law, then you're probably a dumbass and I don't feel all that bad about listening to your music without paying you for the privilege.

Yeah that must be it. You don't see a legal system that you agree with and you circumvent the process. And... how does that translate into musicians/performers being lazy?

There is a very simple solution to your situation. If you do not like the way things are set up you can either work to change the system or you can avoid it and live your life otherwise. You are choosing to fight the system by acting in an entirely contrary manner to the system itself. You are never going to achieve a legal system which provides for you the benefits that stealing music currently provides.
 
Top