edit: grunge, as an insight into mifune's character in seven samurai, that long arsed sword he uses is meant to be used from atop a horse.
That's the point: Kikuchiyo is so obviously not a samurai that he doesn't even use the appropriate weapon, which is what makes him so awesome. His character is the reason so many Japanese anime/video games have characters with big-arsed swords - he practically created his own trope.
The Hidden Fortress - Two hapless, conniving peasants help a Princess and her General bodyguard escort treasure through enemy territory. This is the film that inspired Star Wars, but you'd never know it upon watching - aside from a couple similarities (the 'tough' princess and the peasants = C-3PO & R2D2), there really isn't anything to suggest the two films are related. Anyway, The Hidden Fortress is my least favorite of the batch of Kurosawa films I've seen so far. The characterization is poor, the script seemed lazy by Kurosawa standards, and while there is some good cinematography it's the weakest I've seen. Mostly though it's the character thing: the Peasants are douches, the Princess only speaks in yells, and Mifune's character is boring as shit. I was kind of surprised by how much I didn't like this movie, to be honest.
Kwaidan and a couple other Kobayashi films are on my To-Watch list after I'm done burning through Kurosawa.
Throne of Blood - An evil spirit appears to an ambitious feudal Lord and prophesies his rise to total power. Throne of Blood is Kurosawa's adaptation of Shakespeare's MacBeth, and like Ran (his adaptation of King Lear), it's excellent. Unlike Ran, Throne of Blood is a fast-paced movie - though some scenes are rather long and drawn-out, the story moves along quickly culminating in a wonderfully satisfying (and beautifully filmed) conclusion. Mifune is in top form...actually, better than top form - Throne of Blood is the best acting I've seen from Toshiro Mifune (so far) who delivers an amazingly complex performance as Lord Washizu (the MacBeth character). Also, the cinematography is top-notch, as expected.
Roshomon - Three men seeking shelter from the rain in a ruined city gate recall the events of a terrible crime as described by the victims and witnesses. This is a film that I think will require at least one more viewing before I feel I fully understand the story. The whole movie (except for the ending) plays out sort of like The Usual Suspects in that the plot is told in a series of flashbacks, and it plays a game of three card monte with your brain leaving you unsure of the truth. The script is probably the strongest part of the film and kept me very mentally engaged despite the films slow, minimalist aesthetic. The acting varies from awesome to a little cheesy, the music is great, and the cinematography is strangely experimental and varied for a Kurosawa film because of his collaboration with cinematographer Kazuo Miyagawa. This is not his most exciting film and I don't know if I'd recommend it to someone who isn't a film buff, but Rashomon is as great a work of art as any Van Gogh or Picasso painting. Despite it's lean hour-and-a-half run time, the movie manages to beautifully explores some truly heavy themes of life, love, death, and the frailty of the human spirit (among others). I have a feeling it's even better the second time around.
PS: I have the week off of work while the building undergoes renovations, that's why I'm watching so many of these damn things.