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unnervingly appropriate - "In Flanders Fields"

ice-9

Bluelight Crew
Joined
Jan 22, 2001
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Location
Toronto, Canada
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved, and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

-John McCrae
http://home.iae.nl/users/robr/poppies.html
 
that has got to be one of my fave poems...
funny co-incidence: he is my friend's great uncle...
aj the femme
------------------
the extra M is for MmmMmmmm
"Hell hath no fury like that of a woman scorned"
Be Good!!!
 
biggrin.gif
 
world war i poetry.
i much like it.
look up "dulce et decorum est", "strange meeting" and "anthem for doomed youth", by wilfred owen. they're all very good, with highly memorable lines. there are other world war one poets--siegfried sassoon, for example.
though i'm not sure how well they really apply now; world war one poetry is writing about an insane war that really should never have happened, a war between industrialized countries sharing a religion and much of a culture.
having said that, while looking for more examples of WW1 poetry (since that list is entirely owen-centric), i found this:
September 1st, 1939
W.H. Auden
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
"I will be true to the wife,
I'll concentrate more on my work,"
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the deaf,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
 
amazing...thanks for posting that.
I think, however, McRae's poem can be applied even now in any present conflict requiring the use of any soldier. And it's quite intriguing in that it's paradoxical in nature. If you compare the first two stanzas with the last stanza, he states almost two different messages.
[This message has been edited by ice-9 (edited 18 October 2001).]
 
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