this post is called
What I say to my friends who love Alex Grey/visionary art
We all agree that art is a really wide field, so lets narrow it can say
Fine Art is what we're talking about. Fine Art, we should agree, is defined by its role in society, rather than its visual beauty, or how it conforms to beauty. Fine art concerns itself with more than representation; fine art is
about something: teaching it, revealing, provoking discussion. Fine art is a kind of material philosophy. That's how people like Warhol made it into what we will call the canon. That is how I intend to dismiss Alex Grey's work. It is, in my opinion, bad aesthetics, bad philosophy (of art). Therefore, any discussions of skill, or technique, are immaterial to the discussion (as I have defined it, anyway). Though, I will say, in my opinion, his skills and technique do not make him a particularly compelling craftsman.
The spiritual has been
the first role of artistic depiction for as long as art has existed. Anything predating spiritual art, is better described as visual history, or simple communication (cave paintings retelling an event). Grey is participating in a tradition with quite a legacy. My first observation is that visionary art is willfully anachronistic. It, like the new age movement that gave birth to it, is xenophilic, primitavist, and experiential (rather than conceptual).
Conceptual art is where its at, presently(where its at meaning where fine arts are discussed, analyzed, evaluated, experienced). That's not to say that because conceptual art is favored, it must be good. Certainly, there is an overwhelming heap of bad (uninteresting, uninspired, unchallenging) conceptual art. Getting into what makes something like
Many Colored Objects placed side by side to form a Row of Many Colored Objects by Lawrence Weiner a valuable contribution to the canon, and an important statement about metaphysics, aesthetics, epistemology and so forth takes a lot of reading, and I'm not insinuating superiority here, but it also takes a pretty advanced intellect. If there is anything wrong with conceptual art, its that it reflects a philosophy that resists interpretation and description, and it has abdicated its role as a teaching force that everyone can learn from.
Visionary art's pedigree is a philosophy, but that philosophy is uncritical, dogmatic, and limited. The result is art that is actually less spiritual and more political than say,
Spiral Jetty by Robert Smithson.
Grey's art isn't about revealing a world that is obscured to us by the limitations of our senses. Its about confirming the primacy of of the icon, of depiction as a reliable means of teaching and revealing truths. I don't understand why a belief system that relies so heavily on what isn't visible (charkas, auras, "energy") would retreat to a straight visual vocabulary in order to represent itself.
Its been a while, but I used to moderate Psychedelic Drug Discussion. You're going to have to take on faith that I value cognitive liberty, endorse the validity of altered states of consciousness, and accept a spirituality that has a great deal in common with Grey's own. Grey is the one, however, who is operating within the vocabulary and the structure of everything that is ostensibly opposed to his worldview. Firstly, depiction effectively closes any debate about the nature of the visionary experience. Accepting the validity of Alex Grey's art is a great way to give Alex Grey undue influence over your own mind during a visionary experience. His ideas are really just another culture's religious art, and while I'm not dismissive of religious art, it detracts from spirituality, and predetermines your experience the way it has to Christianity. Orthodoxy is a plague, it perpetuates bad ideas, allows the powerful to control people, and homogenizes thought. If you primarily identify yourself as a devotional eastern religion follower, then Grey is someone who enunciates your teachings, the same as the Sistine Chapel does for renaissance Italian Catholics.
If you think psychedelics are some kind of magic that reveals the one actual world, congrats, you have effectively turned the best shot humanity has for multiplicity of ideas, mutual respect, and real humanism (without wedding it explicitly to a preexisting value system) into a new church's wine and crackers.
Psychedelics are a boon to mankind because they foster chaos, dissonance, freedom, and heterodoxy. What the world needs is more of that, not some alternative hegemony of hierarchical power structures telling me how things are. That's what makes Grey's work bad.
If you think Grey's work looks beautiful, or you find is to be a reflection of your spirituality, that's the realm of your opinion. Art, however, is more than whether something conforms to your ideas about beauty and philosophy.
Art appreciation isn't about sitting, looking, evaluating, and then expecting people to feel the same way. Its about exploring the motives for the art, its position in historical, cultural, and philosophical contexts, and evaluating if it says anything at all (agree or disagree). If you reject that interpretation of art appreciation, then have fun retreating to "its my opinion, and I refuse to explain or even understand why I hold it" every time somebody challenges you.