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“Laughing at the universe liberated my life. I escape its weight by laughing. I refuse any intellectual translations of this laughter, since my slavery would commence from that point on.” ~Georges Bataille

Let Heyoka’s thunder-laughter guide you through the absurd. This kind of laughter shreds false armor. It melts through the golden idol of your petty beliefs. It cooks your anthropomorphized God over an open firepit. It’s your laughing, jesting, frolicking higher awareness, dragging you kicking and screaming through a Dark Night of the Soul.

If, on the “other side,” you should be existentially stripped bare, then so be it. It was necessary to shed the outdated “skin” of your cultural conditioning. Your clumsy armor was only ever the illusion of invulnerability anyway. True strength is absolute vulnerability.

Heyoka just rubs your nose in it. Saying, “This is your true Self: a fragile, fallible, mortal animal going through the motions of living for a short period of time. Now, what are you going to do with that?”

As Alan Watts asked, “Is it cry, cry, cry; or is it laugh, laugh, laugh?”

Written by Gary Z McGee
 
"I could see the road ahead of me. I was poor and I was going to stay poor. But I didn't particularly want money. I didn't know what I wanted. Yes, I did. I wanted someplace to hide out, someplace where one didn't have to do anything. The thought of being something didn't only appall me, it sickened me. The thought of being a lawyer or a councilman or an engineer, anything like that, seemed impossible to me. To get married, to have children, to get trapped in the family structure. To go someplace to work every day and to return. It was impossible. To do things, simple things, to be part of family picnics, Christmas, the 4th of July, Labor, Mother's Day . . . was a man born just to endure those things and then die? I would rather be a dishwasher, return alone to a tiny room and drink myself to sleep.

My father had a master plan. He told me, "My son, each man during his lifetime should buy a house. Finally he dies and leaves that house to his son. Then his son gets his own house and dies, leaves both houses to his son. That's two houses. That son gets his own house, that's three houses . . ."

The family structure. Victory over adversity through the family. He believed in it. Take the family, mix with God and Country, add the ten-hour day and you had what was needed.

I looked at my father, at his hands, his face, his eyebrows, and I knew that this man had nothing to do with me. He was a stranger. My mother was non-existent. I was cursed. Looking at my father I saw nothing but indecent dullness. Worse, he was even more afraid to fail than most others. Centuries of peasant blood and peasant training. The Chinaski bloodline had been thinned by a series of peasant-servants who had surrendered their real lives for fractional and illusionary gains. Not a man in line who said, "I don't want a house, I want a thousand houses, now!"

He had sent me to that rich high school hoping that the ruler's attitude would rub off on me as I watched the rich boys screech up in their cream-colored coupes and pick up the girls in bright dresses. Instead I learned that the poor usually stay poor. That the young rich smell the stink of the poor and learn to find it a bit amusing. They had to laugh, otherwise it would be too terrifying. They'd learned that, through the centuries. I would never forgive the girls for getting into those cream-colored coupes with the laughing boys. They couldn't help it, of course, yet you always think, maybe . . . But no, there weren't any maybes. Wealth meant victory and victory was the only reality.

What woman chooses to live with a dishwasher?"

Quote from ham on rye - Charles Bukowski
 
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