tambourine-man
Bluelight Crew
When I fist watched it, I liked it for exactly that reason. At the time, club culture was at it's peak in Britain and the film capitalised on that popularity. It capitalised in a totally unabashed way with all the clichés: rants about commercialism, a global movement, and even an excruciatin plug for Bill Hicks - but it was good for it's time... even more so as the 'negative consequences' of MDMA use were being absurdly skewed by the mass media's fetish for Leah Betts (the-girl-who-died-from-ecstasy®™).I.V.User said:Tribal girl is right.
On first veiwing I thought it was a good film, but sebsequent watches made me think it was a self-aware piece of crap. Written by drug uses to excuse the drug culture, it fails to portray any of the negative consequenses of substance use. Trainspotting slays this film, as does requiem for a dream.
If the film degrades with subsequent viewings (something I agree with), it's probably due to it being such a defining product of it's time. Specific subcultures come and go... so you can imagine how quickly counter-cultures products rise and fall from grace.
Good film... for it's time.