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  • Film & TV Moderators: ghostfreak

How would you change a particular movie for the better?

*bump*

i'd change the film clean by making it a lot fucking tighter, cutting the script by about fifteen pages (and re-writing another thirty or so), and giving it some more focus. that's not very specific of me i realise, but the film needs some work. it has such potential though.
 
Originally posted by fungus44
Minority Report -- Scrap the last forty five minutes.


I was actually going to post the same movie...except I'd end the film on the balcony scene. I hate how Spielberg had to end the film in a nice, neat package for all the morons in the audience.

Originally posted by asmodeus256
I would have not given the "gang's away" to the greenlight on Solaris.


LMFAO @ "gang's away." I wonder who have the go-ahead to the greenlight. ;)
 
keystroke said:
I would never not let Han shoot first....
Click to expand...
yes!

I would cut two scenes from Minority Report:

1. The scene where Agatha tells Anderton and his wife about there little kid growing up, being a track star, etc. Very over-the-top.
2. The scene with the crazy ass woman in the greenhouse explaining how pre-crime started. Exposition is necessary, but horny old people are not.
 
Strawberry_lovemuffin said:
Dear god, take Jar Jar Binks out of Star Wars!
Click to expand...

100 percent agree. I will never, ever watch that movie again. Jar Jar took all the seriousness out of the film and injected it with some Disney style humour that you would have to be a child to be endeared of.

Also while we are talking about the new Star Wars I would get rid of most of the computer animation. I mean for fucks sake, in episode I there's a scene where not only are all the robots battling CGI, but the very grass beneath their feet is CGI too.

Hopefully if Indiana Jones 4 does end up being made, they will keep the CGI to a minimum because I can see it destroying that film too. If I had my way the next Indiana Jones would not be written or directed by George Lucas. I'd get those two guys who spent heaps of their lives making an emulation of Raiders of the Lost Ark (thread here).

If I got to change one movie, I would take the scene where the black guy in Event Horizon is blasted out into space, and makes typical black comments as he flies off. That one scene brings the whole movie (which I really enjoy) down.
 
I touched on this in my comic book adaptations thread, but I'll say it again: "The Punisher" was bullshit, and could've been so much better.

Mistakes that must be rectified:
- Frank Castle is old. He fought in the Vietnam War, for Christ's sake. Casting Tom Jane was a joke.
- Frank Castle had two kids, not one.
- "The Punisher" is based in New York, not Florida. What a dumb location.
- Joan is plain and meek. Rebecca Romijn-Stamos is neither. Re-cast.
- I rented the movie with low expectations: all I wanted was violence, and lots of it. This was unfulfilled. The Punisher fucked with Howard Saint's relationships, as opposed to just killing everyone. While he did use a "FRONT TOWARDS ENEMY" bomb, when he saw that someone survived the blast, he walked away as opposed to shooting them. Absolutely ridiculous.
- In the climax, the Punisher set up a bunch of cars to set on fire, displaying his skull logo. This was utterly pointless and, I think, completely out of character.
- "The Punisher" comics use a lot of first person narration. Voice overs could have been used very easily and very effectively. They should have been used.

I was outraged by this movie.
 
flatliners:

1) Take out julia roberts

2) Have keifer sutherland die in an attempted flatline....the second half of the movie would be his perspective. It would be his near death/death visions and dreams. There would be subtle hints that what you were watching wasn't quite reality, wasn't quite real. Then at the VERY end of the movie, you find out that keifer sutherlands character died from the attempted flatline......
 
Totally agree on A.I., Kubrick/ Spieldberg shouldn't of happened, after Kubrick passed, they shoulda scrapped the project, if for any reason, out of respect of one of the greatest filmmakers of all time.
 
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