CanadianinPhilly
Bluelighter
people can be ignorant too tho, i mean people who think crack rap should be banned for bad messages, well then what about marlyn manson and shit like that telling you to kill yourself? cash money records all day..
Endless Night said:*cough* theres more profit in selling rolls *cough*
Endless Night said:*cough* theres more profit in selling rolls *cough*
Jamshyd said:Glad I brought snow to the discussion... but no one has volunteered to explain to me what a "licky boom boom down" is yet![]()
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arcarsenal said:at the risk of sounding like i claim to know things that i really dont,
most of this thread sounds like a bunch of middle-class white kids discussing what they see to be the merit or drawbacks of a genre of music.
sure, props to all the "conscious" artists out there trying to rise above, and i do agree that there is a gaudy degree of inanity in "crack rap," but i think alot of people are missing the point.
its not about whether the radio will continue to carry this brand of music or not or some other pointless shit. contrary to what that one cat above said about people not emulating the godfather or whatever, people do emulate this stuff.
this is PRECISELY about emulation. and circumstance. we white kids, even those who know about our past, are extraordinarily disconnected from the past. in american ghettos, even though people may know less about history, people are living in the product of it. White kids now measure time through technology and music and things "in touch" with now, but are poor indicators of on-the-ground results of history. In the hood time works differently, its connected to events in the past that leave very real imprints on the present.
people ABSOLUTELY emulate what music like this talks about. in the hood, kids deal drugs. they can make hundreds of dollars an hour. but, as much as we might worry that kids will do what the music talks about, the music is doing what the kids talk about.
as a result of things that have happened in the past 30 or so years, in the ghetto, to get out of the ghetto, the only people who are percieved as successful are cats who make it out through sports or crime. and in reality, what other ways out are there?
you don't like the music thats coming out? then start wondering about what it is that happened in the hood that would produce something like this.
i'm glad there are artists waxing poetic about what's wrong with the hood, but theres a huge difference between that music having an effect, and actually walking down the street in any american city and seeing with your own eyes, putting yourself into a position to talk to people who live this life and realizing REALLY the breadth of the situation.
the fact that this message board exists and has people talking about this stuff on it is testament to the fucking enormous disconnect between right here and whats probably within 20 minutes of most of our houses.
i dont know, i guess my point is that while i think rappers can be pretty fucking stupid and theyre often soldout miscreants, unless whiteboys is going to march in and and throw up some nice, cushy tech-industry jobs and throw open to the doors to the hood, i don't think people in the hood are misguided in worshipping drug profits as pragmatic rebellion. only in selling out to corporate whiteboys.
MachineGunBallad said:the same way you don't watch Good Fellas or the Godfather and become inspired to be a mobster.
fruitfly said:The rise of crack in the inner-city was a bigger-than-Katrina disaster.
I don't believe crack and coke were a foundation for hip-hop, in all honestly everyone pretends to know where hip-hop came from when in reality it's not about who first made it. It's about a movement, a cultural shift of feeling and expression. No one person can possibly take responsibilty for the birth of any art-form, hip-hop is no different.
Coolio said:What? Are you crazy? Everyone wants to be a mobster after watching those movies.