http://www.imdb.com/title/tt0424863/
This screened at the Melbourne International Film Festival, and I saw a preview screening on Friday night. It's directed by Ana Kokkinos (Head On, The Secret Life of Us) and stars Greta Scacchi and Colin Friels.
The basic premise: a successful male dancer is abducted by three women, who chain him up and exploit him for their own sexual gratification. The film focuses on how this ordeal affects his life after he escapes, and its "Copernican gender reversal" obviously raises many questions about sexuality, power, masculinity and femininity.
It's an ambitious piece of work, and in its most artful and provocative moments, I think it scales heights rarely seen in Australian cinema. Cezary Skubiszewski's original music, which might best be described as cello-led electronica, is magnificent, and perfectly complements what is a dark and rhythmic film.
However, in my opinion the script wasn't quite up to scratch, with some unnecessary and wooden dialogue creeping in at times. Scacchi and Friels manage to rise above the script's shortcomings to deliver fine performances, as does Secret Life's Deborah Mailman. Tom Long's performance in the lead role is much more uneven, although his role is certainly a challenging one.
I'd be interested to hear what others think of this film. I'd say it's a must-see, despite its flaws.
This screened at the Melbourne International Film Festival, and I saw a preview screening on Friday night. It's directed by Ana Kokkinos (Head On, The Secret Life of Us) and stars Greta Scacchi and Colin Friels.
The basic premise: a successful male dancer is abducted by three women, who chain him up and exploit him for their own sexual gratification. The film focuses on how this ordeal affects his life after he escapes, and its "Copernican gender reversal" obviously raises many questions about sexuality, power, masculinity and femininity.
It's an ambitious piece of work, and in its most artful and provocative moments, I think it scales heights rarely seen in Australian cinema. Cezary Skubiszewski's original music, which might best be described as cello-led electronica, is magnificent, and perfectly complements what is a dark and rhythmic film.
However, in my opinion the script wasn't quite up to scratch, with some unnecessary and wooden dialogue creeping in at times. Scacchi and Friels manage to rise above the script's shortcomings to deliver fine performances, as does Secret Life's Deborah Mailman. Tom Long's performance in the lead role is much more uneven, although his role is certainly a challenging one.
I'd be interested to hear what others think of this film. I'd say it's a must-see, despite its flaws.