I watched this again last night for the first time since I saw it in the theater. One of the most striking things about Kubrick films seems to be the dialogue. It's not as fast, stagy, and patronizing as most other pictures. Voice inflection is flatter, lines are spoken slowly, and there is more hesitation. For me, this is a better reflection of how people talk in the real world. The other fantastic part of this movie is the lighting. Kubrick was able to use the natural room lighting for most of the scenes, so the Christmas lights or the desk lamps in a particular scene are the actual light sources we see illuminating the actors' faces in the finished product instead of some artificial off-camera light.
*** SPOILER QUESTION BELOW ***
On a plot note, for anyone familiar with the film, who leaves the mask on Tom Cruise's pillow at the end? Was it his wife, who may have found it, or was it someone from the secret sex society, perhaps placed there as a threat?
*** SPOILER QUESTION BELOW ***
On a plot note, for anyone familiar with the film, who leaves the mask on Tom Cruise's pillow at the end? Was it his wife, who may have found it, or was it someone from the secret sex society, perhaps placed there as a threat?