• 🇬🇧󠁿 🇸🇪 🇿🇦 🇮🇪 🇬🇭 🇩🇪 🇪🇺
    European & African
    Drug Discussion


    Welcome Guest!
    Posting Rules Bluelight Rules
  • EADD Moderators: Pissed_and_messed | Shinji Ikari

EADD HIP HOP & B Boy Culture Thread

Is this thread necessary? Don't vote if you don't care

  • Yes it is necessary

    Votes: 9 69.2%
  • No it is problematic

    Votes: 4 30.8%

  • Total voters
    13
Bitches on my dick and you know I'm runnin y'all
So you just sold your soul to the motherfuckin' devil's son in law


 
[video=youtube_share;LtQ5bCtnz1s]http://youtu.be/LtQ5bCtnz1s[/video] Best Free style MC on the Planet


[video=youtube_share;s9XkiV-V6oQ]http://youtu.be/s9XkiV-V6oQ[/video] That wasn't a freestyle writeen down n re hearsed for sure

Supernat would kill him in a real battle with no written down n rehearsed shit

If you can't see that then well...............
 
Last edited:
I agree tbh brimz, for me jehst is the best.
BHM turned me onto the four owls today which I like, stig of the dump I rate very highly too.
 
[video=youtube_share;1Nb7JbU5qzQ]http://youtu.be/1Nb7JbU5qzQ[/video] Some real B Boy culture right here.

Footage of The Bones Brigade in Bath which has just been discovered after 23 years and to my knowledge, possibly the only footage of this event. Featuring Tony Hawk, Lance Mountain, Ray Underhill, Eric Sanderson and Nicky Guerrero on the Swatch World Tour in June 1990
 
Last edited:
Guilty pleasure but this is the shit especially Slim Thug verse..

It's that six six long dick slim nigga sticking your chick
Pullin tricks looking slick at all times when I'm flipping
Barre sipping, car dipping, Grant wood grain gripping
Still tippin' on four fours wrapped in four vogues
Pimping four hoes and I'm packing four fours
Blowing on the endo GameCube Nintendo
Five percent tint so you can't see up in my window
These niggas don't understand me cuz I'm Boss Hogg on candy



 
WHERZ da PROPS 4 POWELL PERELTTA ?

Any true B Boy would give mad props 4 that skate footage it was only found 2day i remeber skiving skool 4 that
 
Last edited:
WHERZ da PROPS 4 POWELL PERELTTA ?

Any true B Boy would give mad props 4 that skate footage it was only found 2day i remeber skiving skool 4 that

I think most Hip-Hop fans are guilty of forgetting about skating, b-Boying and Graffiti and just concentrating on the music - espically in 2013..That's probably the reason the video was overlooked. Vintage footage though man, I used to skate was never any good tho could barely get a clean kick-flip off & was always too scared to ollie more than a few steps!
 
we used to break @ skool on the lino with
lasonic.jpg


back in 1985/7 then i went to live in cali.
 
It would be classic to have one of those nowadays man ^

You're a real old school hip-hop purist though Brimz not everyone is gonna have the same view...especially the kids growing up now they, through no fault of their own, don't know as much about the old school culture.. and hip-hop has changed and is always morphing into something else... we can't continue to associate it with the original 'elements' alone - what were they originally, MCing+breakdancing+DJing+Graffiti right?..

Anyway don't really know where I'm going with this but just to say classic hip-hop from different eras placed different emphasis on the different elemetns, or at least MCing and DJing became the dominatn elements from the early '90s Golden Age at least.. I do love this scene from the french movie La' Haine though -

 
Also this one is top!! Who thinks to mix 'Sound of da Police' with Edith Piaf?... Cut Killer does - real DJing right here.. SICK - this is hip hop

 
Can I pick yur brain for a minute Brimz, or PTCH or DAN any hip-hop fan really... ok you know that synthy sound that is on loads of West-Coast hip-hop tracks from especially the early 90s and maybe the late '80s?.. It's most prominent on this Ice-Cube track but it's on loads of West-Coast beats..Here it is on the intro to Menace to Society




Anyway my question is who used it first in hip-hop it was surely Dre?.. it is most associated with Dre but were any other poducers using it at the time?

I know Brimz you posted an NWA track a few months ago with a similair sample but I can't think of the name now? Do you remember which one it was?
 
Wait was this one right?... fuckin sick - different sample to the one on Ghetto Bird and Nuthin but a G thang

 
Did some research (Wikipedia) - quote: There has been some debate over who should be considered the "father of G-funk". Dr. Dre is generally believed to have developed the sound,[5] but Cold187um and KMG of Above the Law, Laylaw for Lawhouse Production have claimed that they developed the sound. Cold187um and KMG claim that Dr. Dre did not credit the group for pioneering the style when he released The Chronic, his Death Row debut album.[6] They both released records on Ruthless Records prior to that. Warren G and Snoop Dogg were with Cold187um before joining Dr. Dre and Death Row. On Snoop Dogg's Doggystyle album, Warren G and Daz Dillinger from Tha Dogg Pound claim they produced "Ain't No Fun", even though Dre is credited as the album's sole producer.[7]


This song was made in 1990, Always into Somethin came out in '91..although Dre is credited on Murder Rap as a write also so who knows?

 
This is interesting.. full interview is here http://www.dubcnn.com/interviews/bighutch08-part1/


Dubcnn: Do you feel that you get enough credit for all that you have brought to the table and accomplished for the hip-hop culture?

I’m here to let the world know that I'm the one who created it [the original G-Funk sound], you know what I mean? So, basically, I mean [Dr] Dre had a situation to where he had [a chance] to let people know that he was highly influenced by a producer like myself, you know what I mean? That I'm the one that brought G Funk to the table -- but I think people think it's like I'm some kid that came up under Dre that's like a little bit bitter that I didn't get all my props from other things that I've done in the music industry, ya dig? And it's like I'm trying to jump on the bandwagon like everybody else and say ‘Well, Dre ain't this and Dre ain't that...’ and, you know, what I think what's bad is that I was Dr. Dre's understudy for a lot of years at Ruthless [Records], right? And when I created G-Funk, it was a more so situation to where it was more our coined flavor of Above The Law, so he kind of took some theories and ideas that I had and brought it over to Death Row.

Now I didn’t have a problem with that because, as I just explained to you, I was his understudy, no problem, you know what I’m saying, you know, you give some stuff, I give some stuff, we gel together, you know what I mean? What my problem was, when you’re addressed with it and you know ‘how did you find this new sound or whatever’, you didn’t say, ‘well, it’s this kid I worked with -- 187aka Big Hutch -- you know, so on and so on, I got the theory from him’ and he never really coined the fact of where it ever came from.

Snoop in turn came through us... Snoop was actually in development by me, I was developing Snoop as well as Warren G and they ended up turning the corner and ended up being at Death Row when there was a lot of turmoil going on at Ruthless Records. It’s alright, I’m just saying, if I get an idea from somebody, I should give them their props. It’s not like I’m saying he’s wack or anything, so I don’t want anybody [to think] that I have a problem with Dr. Dre, I love Dr. Dre. Dr. Dre, along with Eazy E are the guys who put me in the game; you know what I’m saying. But he broke camp and took a style that I innovated, you know, sorry! I came to Ruthless when Ruthless was built by Dr. Dre, you feel me? It was already built, ya dig? But I can say, I invented that style, that flavor…
 
Top