Zipnil
Bluelighter
First point - as grand master has explained, the human ear can only hear between 20Hz to 20 kHz.
Second - You cannot generalize on the rigs and equiptment of the day. Most digital and Analog processes are of even quality. The dollar is the important factor in quality audio equipment, of all kinds.
Third - The end product is as only as good as the speakers it is coming from. All speakers, (and equipment) have different frequency responses and different dynamic ranges.
Forth - The main difference between Analog and digital audio processes; is the way in which the handled. In digital it is the same, right through up to recording. With Analog the process differs greatly. (This to me means that I can create sounds (or change sound) greatly by processing them through different types of Analog equipment, more so than with digital. I’m only assuming, not certain, going by what i know at the moment)
Fifth - The dynamic range in digital is 90dB, in Analog, around 55dB - 60 dB can be achieved.
Lastly - there is a distinct term that is commonly used in the sound engineering field that I believed is commonly used. The term is 'fat', and they apply when speaking about the Analog sound. Bouncing songs from digital to Analog, we can achieve this sound.
I hope that helps clear a few things up.
Choose your medium and use it to the best of its abilities, there is no more to it than ‘that’.
Except to enjoy it while you’re at it.
And who here doesn't?
[This message has been edited by Zipnil (edited 29 May 2001).]
Second - You cannot generalize on the rigs and equiptment of the day. Most digital and Analog processes are of even quality. The dollar is the important factor in quality audio equipment, of all kinds.
Third - The end product is as only as good as the speakers it is coming from. All speakers, (and equipment) have different frequency responses and different dynamic ranges.
Forth - The main difference between Analog and digital audio processes; is the way in which the handled. In digital it is the same, right through up to recording. With Analog the process differs greatly. (This to me means that I can create sounds (or change sound) greatly by processing them through different types of Analog equipment, more so than with digital. I’m only assuming, not certain, going by what i know at the moment)
Fifth - The dynamic range in digital is 90dB, in Analog, around 55dB - 60 dB can be achieved.
Lastly - there is a distinct term that is commonly used in the sound engineering field that I believed is commonly used. The term is 'fat', and they apply when speaking about the Analog sound. Bouncing songs from digital to Analog, we can achieve this sound.
I hope that helps clear a few things up.
Choose your medium and use it to the best of its abilities, there is no more to it than ‘that’.
Except to enjoy it while you’re at it.
And who here doesn't?
[This message has been edited by Zipnil (edited 29 May 2001).]