Both All That Jazz, and Cabaret have moved me, and I imagine have impacted me more profoundly then I'm able to truly recognize. Both of my parents have watched these films since before I was born, which in turn means that I grew up with them. I still love, and I really do mean love, both of these movies, and still watch both on a semi regular basis (along with listening to both soundtracks). They never get old, never get boring, and always leave me feeling satisfied and thoughtful after viewing. I find both films to be so mind bogglingly beautiful that even writing this down leaves me feeling as though I'm not doing either film justice with any attempt at describing them. Sad, funny, thought provoking, socially relevant, hell even politically relevant, smart without coming across as condescending.... those are just a few of the words that can be used to describe both films, and that's just the tip of the iceberg.
All That Jazz is a semi autobiographical account of Bob Fosse's life and ironically also pretty much mimics his actual death. I think Ben Vareen's character, O'Connor Flood summarizes Joe's life best with this quote...
"Folks! What can I tell you about my next guest? This cat allowed himself to be adored, but not loved. And his success in show business was matched by failure in his personal relationship bag, now - that's where he *really* bombed. And he came to believe that show business, work, love, his whole life, even himself and all that jazz, was bullshit. He became numero uno game player - uh, to the point where he didn't know where the games ended, and the reality began. Like, for this cat, the only reality -- is death, man. Ladies and gentlemen, let me lay on you a so-so entertainer, not much of a humanitarian, and this cat was never *nobody's* friend. In his final appearance on the great stage of life - uh, you can applaud if you want to - Mr. Joe Gideon!"
Cabaret follows the life of Sally Bowles during the beginning of the Nazi parties rise to power. She works by night in a Cabaret, along with several other memorable characters (The Master of Ceremonies anybody?)... I'll bombard you all with another set of quotes.
"Sally: I suppose you're wondering what I'm doing, working at a place like the Kit Kat Club.
Brian Roberts: Well, it is a rather unusual place.
Sally: That's me, darling. Unusual places, unusual love affairs. I am a most strange and extraordinary person.".... And yes, she truly is a most strange and extraordinary (if not a little sad, and lost) person.
Both films take advantage of Bob Fosse's stage talent, and have a fair amount of music and dance in them. I wouldn't call either a musical however as all the music directly correlates to the plot, generally with characters being on a stage performing. I've shown the film to a close friend who hates musical type movies, and he fully agrees with me that neither film should be looked upon as a musical.
Incidentally they are both directed by the late, great, Bob Fosse, who is just... an absolute genius. I really don't know what more I can possibly say about him, professionally he could do no wrong in my eyes. He also directed Lenny, about the late comedian Lenny Bruce, which I also highly recommend. I think both movies are very eye opening, though many people find both to be on the depressing side.