LOVELIFE, I was one of the people to go off on this movie. I don't know if you read my novel a few pages back, but I'll say a few quick things.
The movie is beautiful for many people, it's not that us critics aren't giving you that. The love story is very pure and sweet, and reminds of simple things which are often overlooked. I did feel moved after watching this movie. Just like millions of others, including yourself. It wasn't like I wanted to walk out of the movie, felt bored at any given time, or anything like that.
My beef with the movie is that it is both historically inaccurate and in many ways historically/currently misleading about socio/political conditions in India. It does this in a way that only Indian nationals and foreigners abreast of globial politics and condition, past and present, will even really catch. Major audiances don't know anything about India, so they have no reason to assume that all of the negative portrayals in this movie aren't as they appear here; we fall in love with two Indians, while gaining a bad taste about the other billion-minus-two.
Now I can see that it's a fantasy, and fantasies are not always accurate. However, I feel that the degree to which laypersons seeing this movie will understand what is fantasy and what is reality with respect to all things India is all over the place. And to this degree, it is exploitative of a culture which actually does know where all of the fact/fantasy lines are drawn. Nothing good is given about India's development into a world power - we're led to believe that only scoundrals can naturally succeed, which is blatently false.
I personally just do not feel personally justified in accepting that this film as beautiful to me. The potential offense to those of Indian natality/decent through the indifference of mainstream audiances over how in/accurately this movie works beyond the love story effects me on levels beyond the lovestory.
As for the beauty of love, the one that got to me like nothing else was Enternal Sunshine.