paradoxcycle
Bluelight Crew
film: Hustle & Flow
I saw this last night and really enjoyed it; it was gritty, well-acted and tugged at my heart. Anyone else?
This rap-world story, perhaps not surprisingly, is built on generic components, like rap itself. It's from the "There's-a-barn, let's-put-on-a-show" type of musical. In this savvy update, DJay (Terrence Howard) is distressed, fearing that he's becoming just another bum, in his case a low-level pimp. Dragging around in his beater with his ho, a plucky bottle-blonde (Taryn Manning), he rags on himself but doesn't do anything to change his world. Inspired by a chance meeting with a high school chum, Key (Anthony Anderson), who has kept to his dream by staying in music, DJay admits that he's only been talking the talk and needs to walk the walk.
DJay gets to writing rap lyrics, and things pop -- especially when Key brings in a scrawny white kid (DJ Qualls) whose beat machine is torqued by his blues/country knowledge. Operating out of an egg-carton-lined sound stage, the three hook and spark.
What's best about this "Hustle" is that screenwriter-director Brewer transcends his generic story, laying out his beat from each character's heart. We come to know their inner fears and demons, including those of some particularly well-drawn supporting characters.
DJay gets to writing rap lyrics, and things pop -- especially when Key brings in a scrawny white kid (DJ Qualls) whose beat machine is torqued by his blues/country knowledge. Operating out of an egg-carton-lined sound stage, the three hook and spark.
What's best about this "Hustle" is that screenwriter-director Brewer transcends his generic story, laying out his beat from each character's heart. We come to know their inner fears and demons, including those of some particularly well-drawn supporting characters.


I saw this last night and really enjoyed it; it was gritty, well-acted and tugged at my heart. Anyone else?
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