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Quote Me A Piece Of Writing That You Really, Really Love :)

"Food, then morals"

"People remain what they are even if their faces fall apart."

Brecht, Threepenny Opera and In the Jungle of Cities
 
"Replace 'me' with You. Rid me of ego and merge my mind in You. If there is identity, replace this identity with truth. Let there be only Oneness. Dispel this arrogance, this ego and let me melt in You, beloved lord of my Heart."

~ Mooji
 
Bagpipe Music

It's no go the merrygoround, it's no go the rickshaw,
All we want is a limousine and a ticket for the peepshow.
Their knickers are made of crêpe-de-chine, their shoes are made of python,
Their halls are lined with tiger rugs and their walls with heads of bison.

John MacDonald found a corpse, put it under the sofa,
Waited till it came to life and hit it with a poker,
Sold its eyes for souvenirs, sold its blood for whiskey,
Kept its bones for dumb-bells to use when he was fifty.

It's no go the Yogi-Man, it's no go Blavatsky,
All we want is a bank balance and a bit of skirt in a taxi.

Annie MacDougall went to milk, caught her foot in the heather,
Woke to hear a dance record playing of Old Vienna.
It's no go your maidenheads, it's no go your culture,
All we want is a Dunlop tyre and the devil mend the puncture.

The Laird o' Phelps spent Hogmanay declaring he was sober,
Counted his feet to prove the fact and found he had one foot over.
Mrs Carmichael had her fifth, looked at the job with repulsion,
Said to the midwife 'Take it away; I'm through with overproduction'.

It's no go the gossip column, it's no go the Ceilidh,
All we want is a mother's help and a sugar-stick for the baby.

Willie Murray cut his thumb, couldn't count the damage,
Took the hide of an Ayrshire cow and used it for a bandage.
His brother caught three hundred cran when the seas were lavish,
Threw the bleeders back in the sea and went upon the parish.

It's no go the Herring Board, it's no go the Bible,
All we want is a packet of fags when our hands are idle.

It's no go the picture palace, it's no go the stadium,
It's no go the country cot with a pot of pink geraniums,
It's no go the Government grants, it's no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.

It's no go my honey love, it's no go my poppet;
Work your hands from day to day, the winds will blow the profit.
The glass is falling hour by hour, the glass will fall for ever,
But if you break the bloody glass you won't hold up the weather.

- Louis MacNeice
 
“the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars.” -Jack Kerouac, On the Road
 
"Those who lack imagination have no choice but to base their conclusions on the reality they see around them. But on the other hand, those who are imaginative have a tendency to build fortified castles they have designed themselves, and to seal off every window in them." - Yukio Mishima, Spring Snow
 
A High-Toned Old Christian Woman

Poetry is the supreme fiction, madame.
Take the moral law and make a nave of it
And from the nave build haunted heaven. Thus,
The conscience is converted into palms,
Like windy citherns hankering for hymns.
We agree in principle. That's clear. But take
The opposing law and make a peristyle,
And from the peristyle project a masque
Beyond the planets. Thus, our bawdiness,
Unpurged by epitaph, indulged at last,
Is equally converted into palms,
Squiggling like saxophones. And palm for palm,
Madame, we are where we began. Allow,
Therefore, that in the planetary scene
Your disaffected flagellants, well-stuffed,
Smacking their muzzy bellies in parade,
Proud of such novelties of the sublime,
Such tink and tank and tunk-a-tunk-tunk,
May, merely may, madame, whip from themselves
A jovial hullabaloo among the spheres.
This will make widows wince. But fictive things
Wink as they will. Wink most when widows wince.

- Wallace Stevens
 
Tetelestai


I

How shall we praise the magnificence of the dead,
The great man humbled, the haughty brought to dust?
Is there a horn we should not blow as proudly
For the meanest of us all, who creeps his days,
Guarding his heart from blows, to die obscurely?
I am no king, have laid no kingdoms waste,
Taken no princes captive, led no triumphs
Of weeping women through long walls of trumpets;
Say rather I am no one, or an atom;
Say rather, two great gods in a vault of starlight
Play ponderingly at chess; and at the game's end
One of the pieces, shaken, falls to the floor
And runs to the darkest corner; and that piece
Forgotten there, left motionless, is I....
Say that I have no name, no gifts, no power,
Am only one of millions, mostly silent;
One who came with lips and hands and a heart,
Looked on beauty, and loved it, and then left it.
Say that the fates of time and space obscured me,
Led me a thousand ways to pain, bemused me,
Wrapped me in ugliness; and like great spiders
Dispatched me at their leisure.... Well, what then?
Should I not hear, as I lie down in dust,
The horns of glory blowing above my burial?


II

Morning and evening opened and closed above me:
Houses were built above me; trees let fall
Yellowing leaves upon me, hands of ghosts,
Rain has showered its arrows of silver upon me
Seeking my heart; winds have roared and tossed me;
Music in long blue waves of sound has borne me
A helpless weed to shores of unthought silence;
Time, above me, within me, crashed its gongs
Of terrible warning, sifting the dust of death;
And here I lie. Blow now your horns of glory
Harshly over my flesh, you trees, you waters!
You stars and suns, Canopus, Deneb, Rigel,
Let me, as I lie down, here in this dust,
Hear, far off, your whispered salutation!
Roar now above my decaying flesh, you winds,
Whirl out your earth-scents over this body, tell me
Of ferns and stagnant pools, wild roses, hillsides!
Anoint me, rain, let crash your silver arrows
On this hard flesh! I am the one who named you,
I lived in you, and now I die in you.
I, your son, your daughter, treader of music,
Lie broken, conquered.... Let me not fall in silence.


III

I, the restless one; the circler of circles;
Herdsman and roper of stars, who could not capture
The secret of self; I who was tyrant to weaklings,
Striker of children; destroyer of women; corrupter
Of innocent dreamers, and laugher at beauty; I,
Too easily brought to tears and weakness by music,
Baffled and broken by love, the helpless beholder
Of the war in my heart of desire with desire, the struggle
Of hatred with love, terror with hunger; I
Who laughed without knowing the cause of my laughter, who grew
Without wishing to grow, a servant to my own body;
Loved without reason the laughter and flesh of a woman,
Enduring such torments to find her! I who at last
Grow weaker, struggle more feebly, relent in my purpose,
Choose for my triumph an easier end, look backward
At earlier conquests; or, caught in the web, cry out
In a sudden and empty despair, "Tetelestai!"
Pity me, now! I, who was arrogant, beg you!
Tell me, as I lie down, that I was courageous.
Blow horns of victory now, as I reel and am vanquished.
Shatter the sky with trumpets above my grave.


IV

... Look! this flesh how it crumbles to dust and is blown!
These bones, how they grind in the granite of frost and are nothing!
This skull, how it yawns for a flicker of time in the darkness
Yet laughs not and sees not! It is crushed by a hammer of sunlight,
And the hands are destroyed.... Press down through the leaves of the jasmine,
Dig through the interlaced roots--nevermore will you find me;
I was no better than dust, yet you cannot replace me....
Take the soft dust in your hand--does it stir: does it sing?
Has it lips and a heart? Does it open its eyes to the sun?
Does it run, does it dream, does it burn with a secret, or tremble
In terror of death? Or ache with tremendous decisions?...
Listen!... It says: "I lean by the river. The willows
Are yellowed with bud. White clouds roar up from the south
And darken the ripples; but they cannot darken my heart,
Nor the face like a star in my heart!... Rain falls on the water
And pelts it, and rings it with silver. The willow trees glisten,
The sparrows chirp under the eaves; but the face in my heart
Is a secret of music.... I wait in the rain and am silent."
Listen again!... It says: "I have worked, I am tired,
The pencil dulls in my hand: I see through the window
Walls upon walls of windows with faces behind them,
Smoke floating up to the sky, an ascension of seagulls.
I am tired. I have struggled in vain, my decision was fruitless,
Why then do I wait? with darkness, so easy, at hand!...
But to-morrow, perhaps.... I will wait and endure till to-morrow!..."
Or again: "It is dark. The decision is made. I am vanquished
By terror of life. The walls mount slowly about me
In coldness. I had not the courage. I was forsaken.
I cried out, was answered by silence.... Tetelestai!..."


V

Hear how it babbles!--Blow the dust out of your hand,
With its voices and visions, tread on it, forget it, turn homeward
With dreams in your brain.... This, then, is the humble, the nameless,--
The lover, the husband and father, the struggler with shadows,
The one who went down under shoutings of chaos! The weakling
Who cried his "forsaken!" like Christ on the darkening hilltop!...
This, then, is the one who implores, as he dwindles to silence,
A fanfare of glory.... And which of us dares to deny him!

-Conrad Aiken
 
Wang Chia

After The Shower
Before it rained the first stamens were seen in the flowers;
After the rain there is not a blossom at the leaves' base.
The butterflys stream over the wall,
In hope that Springs' colours may be found next door.

Ancient Theme
You are on duty at Hsiao Pass, I am here in Wu;
The wind blows on me, and I am anxious for you.
For one line of this letter there are a thousand lines of tears.
When winter reaches you, will your warm clothes have reached you?
 
“And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter— they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long.”

“oh god, there is no faith or permanance or solace in love unless - unless- the mind adores, the body adores - and yet the fear is always there in the mind: tomorrow it will all be different - tomorrow I will hate the way he chuckles at a joke, or combs his hair with a dirty pocket comb. tomorrow he will see that my nose is fat and my skin is sallow, and we will both be two ugly, vain, selfish, hedonistic dissatisfied people, and the wine, and coloured lights, and heated intelligent conversations will all be a fairy-tale inspired pipe dream, and the bitten apple of love will translate itself into discarded feces. tomorrow we'll start running again after the leering clockwork chemeleon that looks like the prince or princess in the fairy-tales, but turns into a warted toad or a pincered cockroach when touched by mortal hands. where, where, to find that quality I long for that will grow goodly and green for fifty years - is it mind? then Ray has mind, with a weaker body; thin, with no height, and you think of flat shoes, all your life long feeling big and swollen, lying like mother earth on your back and being raped by a humming entranced insect and begetting thousands of little white eggs in a gravel pit.”

― Sylvia Plath, The Unabridged Journals of Sylvia Plath
 
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“My God, ma'am, you're so pretty I'd walk ten miles barefooted on a freezing morning to stand in your shit.”

-----------------------------------------------------

“I feel as if I am an ad
for the sale of a haunted house:

18 rooms
$37,000
I’m yours
ghosts and all.”

― Richard Brautigan
 
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"Tell me how I can get high as the sky and still keep my ear to the streets,
At the same time, no diamonds in my watch
Can I still shine? Will anybody watch?"
--- Ab-Soul
 
Li P'an-Lung
To < Enduring Love >

Autumn's wind is pure,
Autumn's moon is bright,
Leaf on leaf the Wu-t'ung tree rustles outside the
balcony;
Hard is it to build the dream of home.

On the steps the crickets chirp,
On the trees the birds flutter,
The frontier wild-geese, line upon line, breast the
horizon,
Set upon wounding the exile's heart.
 
Tu Fu
Moonlit Night

Tonight at Fu-chou, this moon she watches
Alone in our room. And my little, far-off
Children, too young to understand what keeps me
Away, or even remember Chang'an. By now,

Her hair will be mist-scented, her jade-white
Arms chilled in its clear light. When
Will it find us together again, drapes drawn
Open, light traced where it dries our tears?
 
The Snake

10. "There are here, O monks, some foolish men who study the Teaching; having studied it, they do not wisely examine the purpose of those teachings. To those who do not wisely examine the purpose, these teachings will not yield insight. They study the Teaching only to use it for criticizing or for refuting others in disputation. They do not experience the (true) purpose for which they (ought to) study the Teaching. To them these teachings wrongly grasped, will bring harm and suffering for a long time. And why? Because of their wrong grasp of the teachings.

"Suppose, monks, a man wants a snake, looks for a snake, goes in search of a snake. He then sees a large snake, and when he is grasping its body or its tail, the snake turns back on him and bites his hand or arm or some other limb of his. And because of that he suffers death or deadly pain. And why? Because of his wrong grasp of the snake.

"Similarly, O monks, there are here some foolish men who study the Teaching; having studied it, they do not wisely examine the purpose of those teachings. To those who do not wisely examine the purpose, these teachings will not yield insight. They study the Teaching only to use it for criticizing or for refuting others in disputation. They do not experience the (true) purpose for which they (ought to) study the Teaching. To them these teachings wrongly grasped, will bring harm and suffering for a long time. And why? Because of their wrong grasp of the teachings.

11. "But there are here, O monks, some noble sons who study the Teaching; and having studied it, they examine wisely the purpose of those teachings. To those who wisely examine the purpose, these teachings will yield insight. They do not study the Teaching for the sake of criticizing nor for refuting others in disputation. They experience the purpose for which they study the Teaching; and to them these teachings being rightly grasped, will bring welfare and happiness for a long time. And why? Because of their right grasp of the teachings.

"Suppose, monks, a man wants a snake, looks for a snake, goes in search of a snake. He then sees a large snake, and with a forked stick he holds it firmly down. Having done so he catches it firmly by the neck. Then although the snake might entwine with (the coils of) its body that man's hand or arm or some other limb of his, still he does not on that account suffer death or deadly pain. And why not? Because of his right grasp of the snake.

"Similarly, O monks, there are here some noble sons who study the Teaching; and having learned it, they examine wisely the purpose of those teachings. To those who wisely examine the purpose, these teachings will yield insight. They do not study the Teaching for the sake of criticizing nor for refuting others in disputation. They experience the purpose for which they study the Teaching; and to them these teachings being rightly grasped, will bring welfare and happiness for a long time. And why? Because of their right grasp of the teachings.

12. "Therefore, O monks, if you know the purpose of what I have said, you should keep it in mind accordingly. But if you do not know the purpose of what I have said, you should question me about it, or else (ask) those monks who are wise.

- Buddha
 
IMAYO

The Buddha himself
Was once a man like us;
We too at the end
Shall become Buddha.
All creatures may share
The nature of Buddha,
How grievous indeed
That this is not known!

Rather then the vows
Of the myriads of Buddhas,
The testament of
The thousand-handed Kannon
Has greater faith,
Powerful in making
The flowers blossom,
The fruits to ripen,
In a twinkling on limbs
Of trees that are forgotten.
 
^Fascinating, that is a brave move for a psych, or at least the first time I have heard of spirituality being incorporated into psychology. Of course Buddhism can be practiced as an atheist, but We Can Be Buddhas does not sound much like an atheistic philosophy of life.
;)

ENOMOTO KIKAKU

Harvest moon:
On the bamboo mat
Pine-tree shadows.

Baby sparrows:
On the paper window,
Shadows on dwarf bamboo.

On New Year's dawn,
Sedately, the cranes
Pace up and down.

Wooden gate,
Lock firmly bolted:
Winter moon.

_________
EUNAIKYO

By the light or the dark
Of the green in the fields
Where young shoots sprout,
It can clearly be seen
Where the snow thawed first.

Bringing flowers with it,
Hira's mountain squall
Swept over the lake.
A boat, rowed through,
Left flowers in its wake.
 
Legend

As silent as a mirror is believed
Realities plunge in silence by . . .

I am not ready for repentance;
Nor to match regrets. For the moth
Bends no more than the still
Imploring flame. And tremorous
In the white falling flakes
Kisses are,--
The only worth all granting.

It is to be learned--
This cleaving and this burning,
But only by the one who
Spends out himself again.

Twice and twice
(Again the smoking souvenir,
Bleeding eidolon!) and yet again.
Until the bright logic is won
Unwhispering as a mirror
Is believed.

Then, drop by caustic drop, a perfect cry
Shall string some constant harmony,--
Relentless caper for all those who step
The legend of their youth into the noon.


-Hart Crane
 
ARIWARA NARIHIRA
Eight extracts from Ise Monogatari

Can it be that the moon has changed?
Can it be that the srping
Is not the spring of old times?
Is it my body alone
That is just the same?

Seeing such blooming beauty
Fresh as the murasaki of Kasuga Moor,
Like this passion-plant pattern,
The passion in my heart
Knows not any limit.

Like a passion-plant pattern
Is my heart tangled,
Who was it brought this tangle?
For it was not my doing.

Was you who came to me
Or I who came to you --
I know not.
Was it dream or reality
Sleeping or awake?

In the blackness
of a numbed heart,
I lost my way.
Dream or reality --
Let other men decide.

Shallow our union,
Shallow as the inlet
One walks unwetted.

Over the barrier of Meeting Hill
Again I shall climb to you.

More and more
Do I yearn for
The capital I have left.
O how I envy
Waves that can return.

It was not that I could not see her,
Yet I did not see her clearly.

Longing for her,
Fruitlessly I shall spend
This long day lost in thought.

To know or not to know
Why should we make
This vain distinction?
This deep longing
Alone in love's beacon.

The dream of the night
We slept together
Is fleeting
Now that I drowse
It is even more fleeting.

Tossing in my bed
The whole night through,
Neither waking nor sleeping
Is a thing of spring,
This long rain haze
At which I gaze so long.

I In the capital is the one I love, like
R Robes of stuff so precious, yet now threadbare.
I I have come far on this journey,
S Sad and tearful are my thoughts.

If you are true to your name,
Then let me question you,
Bird of the Capital,
Of the one I love --
Is she alive or gone?
 
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