Just to bring the conversation back to the topic for us non American people.
David T. Hardy [an amateur who has for the last year been working on a serious bill of rights documentary], to include the Second Amendment.
Fact: This guy is an amateur. It's all too easy to deconstruct an argument when you sit on the right. Thus, postmodernism allows for more than one truth.
The fact is that Moore's documentary may in fact be totally true. Heston did say these things, he may not have said them in that way, but he did say them. Some elements of the film may be incorrect, but depending on which way you look at it, it is also true.
The bottom line: can a film be called a documentary when the viewer cannot trust an iota of it, not only the narration, but the video?
Documentary films have reconstructed and manufactured reality for as long as documentaries have been around for. The famous film
Nanook of the North by Robert Flaherty is an expository documentary that reconstructed the lives of North American Eskimo tribes. The film showed footage of the tribes people trading with the "whites" and fishing in the middle of a snow storm on a boat made of seal skin. This was made in 1922, long after Eskimos had figured out how to make boats from wood and lived in nice warm huts.
2. NRA and the Reaction To Tragedy. The dominant theme in Bowling (and certainly the theme that has attracted most reviewers) is that NRA is callous toward slayings.
Umm, who are you going to contrast in a film about guns? Wendy's icecream stores? It's rediculous to think that the NRA is callous toward slayings, I agree. But the NRA is the body responsible for putting the guns in the hands of these people, and as such the NRA has a moral obligation to these situations.
6. International Comparisons. To pound home its point, Bowling flashes a dramatic count of gun homicides in various countries: Canada 165, Germany 381, Australia 65, Japan 39, US 11,127. Now that's raw numbers, not rates, but let's go with what Bowling uses.
This is a stupid argument he presents. There are thousands of organisations who collect statistics throughout the world. Go and pick one to choose what numbers you want to use for your next film.
Canada: Moore's number is correct for 1999, a low point, but he ignores some obvious differences. Canada is considerably more rural than the U.S. (It has one-tenth the population density of the US, although to be fair it has a lot more unoccupied land which "pads" that figure.).
Another stupid argument. The point made in the film was not to compare the US to Canada, in size/population or whatever. The point is that there are guns in both countries. Lets not get caught up in a dick size competition.
8. Fear. Bowling probably has a good point when it suggests that we are prone to irrational fears, and the media feeds off this in a search for circulation and the fast buck.
You don't boost circulation and profits with that sort of approach, and Bowling for Columbine follows the very adage it condemns: "If it bleeds, it leads." Fear sells -- and can win you an Oscar.
All governments across the world use fear to oppress the people. Both the left and the right use fear to attract their followers. Fear is used, as suggested, as a money making machine. To contrast this film with say a Hollywood blockbuster like 'Scream'. This film strikes fear into the audience, it is its purpose, its why peole go and see the film.
The point is far more fundamental: Bowling for Columbine is dishonest. It is fraudulent. It fixes upon a theme, and advances it, whenever necessary, by deception.
Isn't this the point of making films? That is, to find a theme and develop around it? Don't politicians use fraudulent tactics, deceive people. Don't television stations have make subjective statments? Take Fox News for example, part of the News Media Corp. Fox News more or less promoted the war in Iraq. Was it the truth, who's truth is it?